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Posts tagged 'saxophone'

New Works for Summer

Ah, summer. The classical music season is over, mostly, and we're looking forward to festival performances-- often places where programmers take more chances and choose some more adventurous pieces to play. We've been slowly (and surely) building up our roster here at Project Schott New York, now with over 160 works by 40+ composers. 

Have you checked out Keeril Makan's page recently? We now have 14 works up, including five solo works and nine for ensembles! Keeril's "Resonance Alloy" was just performed in San Diego by David Shively; here he is performing it in 2011: 

 Other new works include his string quartet, "The Noise Between Thoughts," "Voice Within Voice" for baritone saxophone, and "Target" for soprano/mezzo-soprano and ensemble. Check 'em out!

Speaking of saxophone, Richard Carrick's "Harmonixity" for saxophone quartet is also now available:

We also now have a staggering 22 works available from Lei Liang, including "Piano, Piano" for improvising pianist, and "Ascension", for brass quintet and percussion..

Well, I hope that's enough to chew on for now! Stay tuned for an amazing announcement, coming up tomorrow....

Springtime for New Music

A lot has happened at PSNY since we last brought you news of the first ever digital publication of Morton Subotnick's chamber music: we've added almost 20 new works by several of our composers, including Adrian Knight, Timothy Andres, Alex Mincek, Tobias Picker, Pierre Jalbert, and Fred Lerdahl. Here are some highlights from this recent round of additions:

Adrian Knight's "Daedaldualism," for electric guitar, synthesizer, and live electronics:

Like Subotnick, Knight writes much of his chamber music to include electronics, both fixed and live. We're especially exited to be able to publish his music through PSNY since it seems a perfect fit for music with electronics-- all patches and programs are downloadable, and we're more than happy to answer any questions about the technical requirements. 

Alex Mincek's "Karate", for two saxophones:

"Karate" is just one of several pieces Mincek has written for saxophone, an instrument with which he is intimately familiar. "Karate," in particular, bursts with virtuosic, competitive tension, as two saxophones are seemingly pitted against each other in battle. Strongly reminiscent of John Zorn's early "game pieces" in structure, as well as the wildly frenetic aesthetic of "For Alto"-era Anthony Braxton.

 

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