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Information Regarding COVID-19

Our New York City office remains closed to protect the health and safety of all of our employees. During this time, we are doing everything possible to minimize disruptions to our daily operations. All employees are working remotely and remain fully contactable. If you have had to cancel or postpone a performance of a work from our catalogue, or are considering live streaming performances or streaming archival material, we are prepared to assist you in facilitating changes. Please direct all questions or concerns to rental@eamdc.com.

Please note:

  • All materials from canceled or completed performances should be returned to our Verona, New Jersey library only.
  • Please do not return materials to our New York office. Unfortunately, we cannot be responsible for lost materials that are returned to our New York office while it is closed. If materials are lost, we will have to charge the full replacement value.

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Two New Works by Timo Andres

It's hard to claim a real achievement in the month of November. For many, surviving the transition to colder weather, the pressures of the work week, and the onslaught of holiday advertising is enough. But PSNY composer Timo Andres is different: on top of his performing career, which saw him perform Christopher Cerrone's Sonata for Violin and Piano with Tim Fain at LPR earlier this month, he'll also see two new compositions premiered by the Takács Quartet and Jonathan Biss with the St. Paul Chamber Orchestra

Andres' new string quartet Strong Language premiered on November 15th at Shriver Hall. The Baltimore Sun praised Andres' piece for creating "fascinating little journeys" in a "clear, vivid, and commanding" performance by the Takács Quartet. On November 19th, the piece will be performed again at Carnegie Hall, which co-commissioned the work. With three movements lasting roughly 23 minutes, Strong Language is a concise exploration of three musical ideas, one per movement. Get a taste with an excerpt from Andres's earlier string quartet, Thrive on Routine:

As Andres describes, The Blind Banister, his new piano concerto for Jonathan Biss and the SPCO, is a kind of "fraternal twin" to Strong Language; the pieces were written back-to-back, and share a 3-movement structure. However, Andres' piano concerto sees him writing for much larger forces— including, for the first time, timpani. In the meantime (and if you can't make it to Saint Paul for the premiere), check out a sample of Andres's recent completion of the Mozart "Coronation" Concerto:

 

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