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Information Regarding COVID-19

Our New York City office remains closed to protect the health and safety of all of our employees. During this time, we are doing everything possible to minimize disruptions to our daily operations. All employees are working remotely and remain fully contactable. If you have had to cancel or postpone a performance of a work from our catalogue, or are considering live streaming performances or streaming archival material, we are prepared to assist you in facilitating changes. Please direct all questions or concerns to rental@eamdc.com.

Please note:

  • All materials from canceled or completed performances should be returned to our Verona, New Jersey library only.
  • Please do not return materials to our New York office. Unfortunately, we cannot be responsible for lost materials that are returned to our New York office while it is closed. If materials are lost, we will have to charge the full replacement value.

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Andrew Norman Premieres "Switch" at Utah Symphony

On November 6th, percussionist Colin Currie and the Utah Symphony premiered Andrew Norman's new work for solo percussion and orchestra, Switch. Norman's works for orchestra have been called some of the "best orchestral works that the 21st century has seen thus far", and we couldn't agree more. His landmark 2008 piece, Unstuck, has already become a staple of orchestral repertoire around the country; 2011's Try, for chamber orchestra, was commissioned and premiered by the LA Philharmonic to critical acclaim; and 2013's Play premeired to critical acclaim in both traditional and social media. 

So what has Norman composed this time? Switch, like its sibling works for large groups of musicians, explores the ludic possibilities of play between soloist and ensemble. Quite literally, the music acts like a "switch" between percussion instruments positioned in front of, and behind, the orchestra; these instruments act as "switch[es] that control other instruments in specific ways, making them play louder or softer, higher or lower, freezing them in place and settng them in motion again."

The Salt Lake Tribune, which called the premiere "electrifying" and "hyperkinetic", conducted a video interview with Norman and Toby Tolokan, the Utah Symphony's Vice President of Artistic Planning. Check it out below: 

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