Ken Ueno

• Works
• Biography
• On the Web

Works

• All
  • Arashiyama
    for 4 percussionists
    (2023 )
  • ...blood blossoms...
    amplified bass clarinet, amplified piano, percussion, electric guitar, amplified cello, amplified bass (2002 )
  • Boku no Idaho
    (ボクのアイダホ)
    for solo shakuhachi (any size) (2023 )
  • Chimera
    for solo five-string baroque cello
    (2017 )
  • Disabitato
    solo piano (2007 )
  • Ed è Subito Sera
    for guitar solo
    (2013 )
  • Fanfares for the Apocalypse
    concerto for trumpet and chamber ensemble
    (2015 )
  • Future Lilacs
    for saxophone quartet and partch instruments
    (2016 )
  • Gallo
    a fable in music in one act
    (2014 )
  • "How Many More Times Will I See the Full Moon?"
    for sho solo
    (2023 )
  • I screamed at the sea until nodes swelled up, then my voice became the resonant noise of the sea
    for solo amplified Bb clarinet
    (2006 )
  • On a Sufficient Condition for the Existence of Most Specific Hypothesis
    a concerto for overtone singer and orchestra
    (2008 )
  • Phase Patterns of Likeness Slightly Off
    for 4 percussionists
    (2023 )
  • Sawdust on Ararat
    concerto for oboe for chamber ensemble
    (2016 )
  • Shiroi Ishi
    for vocal quartet
    countertenor, 2 tenors, bass (2011 )
  • Talus
    concerto for viola and string orchestra
    (2007 )
  • Uri
    for cello and piano
    (2020 )
  • Visible Reminder of Invisible Light
    for piano trio
    (2011 )
  • WATT
    for baritone saxophone, percussion, and CD boombox
    (2000 )
  • Zetsu
    concerto for violin and chamber ensemble
    solo violin, 2 clarinets (doubling hookah sax), 2 percussion, 2 cellos, 2 double basses, tape part (2014 )
• Solo (excluding keyboard)
  • Boku no Idaho
    (ボクのアイダホ)
    for solo shakuhachi (any size) (2023 )
  • Chimera
    for solo five-string baroque cello
    (2017 )
  • Ed è Subito Sera
    for guitar solo
    (2013 )
  • "How Many More Times Will I See the Full Moon?"
    for sho solo
    (2023 )
  • I screamed at the sea until nodes swelled up, then my voice became the resonant noise of the sea
    for solo amplified Bb clarinet
    (2006 )
• Solo keyboard
  • Disabitato
    solo piano (2007 )
• Chamber (2-5 players)
  • Arashiyama
    for 4 percussionists
    (2023 )
  • Gallo
    a fable in music in one act
    (2014 )
  • Phase Patterns of Likeness Slightly Off
    for 4 percussionists
    (2023 )
  • Uri
    for cello and piano
    (2020 )
  • Visible Reminder of Invisible Light
    for piano trio
    (2011 )
  • WATT
    for baritone saxophone, percussion, and CD boombox
    (2000 )
• Large ensemble (6-12 players)
  • ...blood blossoms...
    amplified bass clarinet, amplified piano, percussion, electric guitar, amplified cello, amplified bass (2002 )
  • Future Lilacs
    for saxophone quartet and partch instruments
    (2016 )
  • Sawdust on Ararat
    concerto for oboe for chamber ensemble
    (2016 )
  • Zetsu
    concerto for violin and chamber ensemble
    solo violin, 2 clarinets (doubling hookah sax), 2 percussion, 2 cellos, 2 double basses, tape part (2014 )
• Orchestra
  • Talus
    concerto for viola and string orchestra
    (2007 )
• Opera
  • Gallo
    a fable in music in one act
    (2014 )
• Large ensemble (13-17 players)
  • Fanfares for the Apocalypse
    concerto for trumpet and chamber ensemble
    (2015 )
• Voice(s) and orchestra
  • On a Sufficient Condition for the Existence of Most Specific Hypothesis
    a concerto for overtone singer and orchestra
    (2008 )