European American Music Distributors Company is a member of the Schott Music Group
Information Regarding COVID-19

Our New York City office remains closed to protect the health and safety of all of our employees. During this time, we are doing everything possible to minimize disruptions to our daily operations. All employees are working remotely and remain fully contactable. If you have had to cancel or postpone a performance of a work from our catalogue, or are considering live streaming performances or streaming archival material, we are prepared to assist you in facilitating changes. Please direct all questions or concerns to rental@eamdc.com.

Please note:

  • All materials from canceled or completed performances should be returned to our Verona, New Jersey library only.
  • Please do not return materials to our New York office. Unfortunately, we cannot be responsible for lost materials that are returned to our New York office while it is closed. If materials are lost, we will have to charge the full replacement value.

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Ann Cleare Performances in New York, Europe

Composer Ann Cleare has had a spate of successful concerts recently, featuring premiere performances of her work I should live in wires for leaving you behind by Yarn/Wire, who commissioned Cleare to write it. This piece, for prepared piano and percussion, was premiered at ISSUE Project Room on October 9th, and performed again at Rensselaer Polytechnic Institute's EMPAC on November 15th. I should live in wires for leaving you behind begins with all performers 'inside' the piano, playing carefully arranged crystal bowls set inside the piano; it gradually moves out to a second 'outside' space, where the instruments called for include modified salad spinners, flower pots, and more. Both the sonic and the visual coordination of this piece make it a stand-out for Yarn/Wire, and a successful collaboration with Cleare. 

Other recent performances include anchor me to the land, performed in Darmstadt, Germany by the Curious Chamber Players. This premiere was the fruit of Cleare's Staubach Honorarium, a prestigious composition prize awarded each year to composers for premieres at the Darmstadt International Summer Course for New Music

Just down the road from Darmstadt in Mannheim, Cleare saw the premiere of another new work, luna (the eye that opens the other eye), for solo alto saxophone, which was performed by Patrick Stadler at the Popakademie (University of Popular Music)

Farther south in Karlsruhe, Cleare's eyam iv (Pluto's farthest moons) was premiered by Richard Craig and The Experimental Ensemble at the IMATRONIK Fesitval of Electronic Music. eyam iv, part of Cleare's eyam series for contrabass wind instruments, pairs a contrabass flute with a electronically spatialized ensemble of winds, strings, and percussion. The piece was commissioned and written as part of a research residency at The EXPERIMENTALSTUDIO of the SWR.   

Cleare was also featured in the Bludenzer Tage zeitgemäser Musik (Bludenzer Days of Contemporary Music) Festival in Vienna. Her work, luna | lithe | lair was commissioned and premiered by Ensemble Mosaik, a new music ensemble based in Berlin, conducted by Enno Poppe. 

Check out her work Dorchadas, for ensemble, which is also available from PSNY! 

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