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Posts tagged 'Richard Carrick'

New Works from Richard Carrick, Anthony Cheung, and Christopher Cerrone

On October 27th, Richard Carrick will see the world premiere of his new work, sandstone(s), at the Pacific Rim Festival in Santa Cruz, CA. Pairing flute, violin, and cello with traditional Korean instruments, sandstone(s) is inspired by the temporary, unstable structures created by sand, which the composer explored making at Kenya's Diani Beach during his residence in Rwanda in 2016. Sandstone(s), which will be published by PSNY, is inspired by Carrick's involvement with different iterations of traditional Korean pansori, which he has explored in his solo violin work Seongeum, published by PSNY. It will be premiered by the New York New Music Ensemble alongside the Gugak Contemporary Orchestra of Seoul. For a taste of Carrick's relationship with traditional Korean music, check out a recording of Seongeum below.

On November 18th, Anthony Cheung, in collaboration with Wang Lu, will see a new work for solo piano premiered by Joel Fan at the Open Source Music Festival at New York's Abrons Art Center. A few weeks later on November 29, the Longleash piano trio will perform a new version of Cheung's 2006 work, Flyaway Detours, in addition to the US premiere of Ann Cleare's 93 Million Miles Away. To get a sense of Cheung's writing for solo piano, check out his performance of his own work, Running the (full) Gamut), from 2008.

In addition to performances of his work across the country, Christopher Cerrone will see the world premiere of his new string quartet, can't and won't, on December 7th at Walt Disney Concert Hall. Co-Commissioned by the LA Phil and the Calder Quartet, this new work is Cerrone's second string quartet, after 2016's How to Breathe Underwater, which was originally written for male voice, bass clarinet, trumpet, trombone, and electroincs, in 2011.

Beat Furrer in Portrait at Miller Theatre with Either/Or Ensemble

The "Composer Portraits" series at Columbia University's Miller Theatre has brought the public an unprecedented in-depth look (and listen) into the works of countless living composers over the years. On February 2, Miller Theatre hosts a Portrait Concert featuring the works of Beat Furrer, the renowned Austrian composer, performed by the Either/Or Ensemble.

The program includes the US Premiere of his recent work for clarinet and string quartet, intorno al bianco, as well as linea dell'orizzonte, for ensemble, Ira-Arca, for bass flute and double bass, amd spur for piano and string quartet.

The Either/Or Ensemble was co-founded by fellow PSNY composer Richard Carrick, who will conduct the evening's performances. (This resonates with Furrer's own history as a composer and conductor, having founded Klangforum Wien in 1985). Carrick recently returned to the United States from Rwanda, where he held a Guggenheim Fellowship. In addition to returning to Either/Or, Carrick also returns to a new post in Boston as the Chair of the Composition Department at the Berklee School of Music. 

Check out a recording of Furrer's spur below. 

Lerdahl and Carrick Performed by Sound Icon in Boston

Fred Lerdahl, composer, music theorist, and long-time professor at Columbia University, will be the composer-in-residence at the Boston University Center for New Music twice in the upcoming season: first in September, and later in January 2017. To kick off the residency, Boston's new music sinfonietta Sound Icon will perform Ledahl's Time after Time in their season opening concert on September 30 at Boston University's CFA Concert Hall.

Bridge Records, which has released numerous recordings of Lerdahl's work, including Time after Time, calls Lerdahl "one of the least known among "major" American composers." Of his singular style, Bridge writes that "a Lerdahl composition might at any moment be tonal or atonal, it might luxuriate in Lerdahl's rich melodic and harmonic gifts, or it might make reference to various musics of our past." 

            
(pages from Time after Time)

Time after Time, scored for Pierrot ensemble (flute, clarinet, violin, cello, piano, percussion), was commissioned and premiered by the Washington Square Contemporary Music Society in 2000 and a finalist for the 2001 Pulitzer Prize in Music. The work employs Lerdahl signature "spiral form", in which simple ideas become deeply elaborated and more complex with each cycle. Listen to an excerpt:

Sound Icon's program also includes a performance of PSNY composer Richard Carrick's dark flow, a double quartet for saxophone, trombone, acoustic guitar, percussion, violin, piano, cello and cibalom. Carrick takes inspiration for this work from the "hypothetical and unexplained flow of galaxy clusters toward a particular point in deep space," a phenomenon described as "dark flow." Carrick elaborates: 

In astrophysics, dark flow refers to the hypothetical and unexplained flow of galaxy clusters toward a particular point in deep space.  Interestingly, some speculate this influence on galaxies comes from a part of the universe that no longer exists, but somehow still carries an influence on matter.  This "invisible pull" is something that exist deep in music as well, something strongly felt but not easily defined.


Check out a performance of dark flow with the Either/Or Ensemble: 



The program, presented by the Boston University Center for New Music on September 30, also includes performances of works by Rick Burkhardt and features soprano Jennifer Ashe.

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