Composers
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Blog Archive
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- Alvin Singleton's "Sweet Chariot" at the National Museum of African American History & Culture
- Joan La Barbara Performs "Music for Merce" in Minneapolis & Chicago
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- Æolus Quartet Performs Keeril Makan's "Washed by Fire"
- Mario Diaz de Leon Premieres "Sacrament" with Talea Ensemble
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- Music from Copand House: Pierre Jalbert, "Secret Alchemy"
- Kettle Corn New Music Presents Scott Wollschleger's "Brontal Symmetry"
- Third Coast Percussion Premieres Christopher Cerrone's "Goldbeater's Skin"
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- Andrew Norman's "Play", Revised & Ready for Action at the LA Phil
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- New Works by Kate Soper and Mario Diaz de Leon at the LA Phil
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- Lei Liang: Deriving Worlds
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- Hannah Lash at the New York Philharmonic Biennial
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- Christopher Cerrone's "High Windows" on Q2 Music's "LPR Live" Podcast
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- Kate Soper Profiled on NewMusicBox
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- Gregory Oakes Performs Ken Ueno at the 2016 New Music Gathering
- PSNY Remembers John Duffy (1926-2015)
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- Ted Hearne's "Law of Mosaics" in Chicago; "The Source" CD Release
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- Opera News from PSNY Composers
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Newsletter
Posts tagged 'Peter Eötvös'
The "Lost" Works of Morton Subotnick: Ascent into Air
Morton Subotnick has enjoyed an expansive career as a composer and technical innovator for decades, and his touring schedule has grown extensively in the past decade, as he is recognized for his pioneering role in electronic and electro-acoustic music. Equally appreciated by fans of concert and electronic music, Subotnick is a legend in his own time. If you haven't yet, check out this lecture he gave at the Red Bull Music Academy:
Lecture: Morton Subotnick (Madrid 2011) from Red Bull Music Academy on Vimeo.
We're happy to announce the publication of several of Subotnick's "lost" works-- works that have been otherwise unavailable until now. The first of this series is Ascent into Air, commissioned and premeired at IRCAM in 1981, with Peter Eötvös conducting.
Scored for pairs of clarinets, trombones, celli, pianos, percussion, and computer-generated sound, this work uses the metaphor of an amphibian's ascent from water to air as a dialectic metaphor for the evolutionary role of technology in art in the late 20th century. The amphibian represents art's double-inhabitance of two modes of existence, two modes of communication: one in water and one in air. As technology evolves in artistic practice, music finds itself in a similar position, inhabiting two modes of existance at the same time. Dialectically, "Ascent into Air" produces a synthesis of Subotnick's vision of the aesthetic and technical possibilities that contemporary music can afford us.
Anthony Cheung Shares Award from the Inaugural Marie-Josee Kravis Prize
PSNY composer Anthony Cheung has been chosen to share in the inaugural Marie-Josee Kravis Prize for New Music at the New York Philharmonic, at the request of legendary composer Henri Dutilleux.
The Kravis Prize for New Music is bestowed every two years for extraordinary artistic endeavor in the field of new music, and was awarded to Henri Dutilleux in 2011. At the award ceremony, Dutilleux announced that he would share the $200,000 award with three composers, each of whom would write a work to be performed by the Orchestra in his honor.
On June 26, 2012, the New York Philharmonic announced that Anthony Cheung, along with Franck Krawczyk and Peter Eötvös, had been chosen to share the award and to compose a new work for the orchestra.
Congrats to Anthony from all of us at Schott!
(And belated congratulations to Schott composer Henri Dutilleux! Read our newsletter story about his award here.)