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Posts tagged 'Miller Theatre'

Ann Cleare & Alex Mincek in ICE's "Animal Behaviors"


(Ryan Muncy, saxophonist)

The International Contemporary Ensemble (ICE) consists of some of the best instrumentalists in contemporary music, who regularly champion ensemble works by some of the most fascinating composers of our time. In a free "pop-up" concert at Columbia's Miller Theatre on June 6th, members of ICE will split off to perform solo and duo works that dig into the sonic profiles of individual instruments and players, in a program titled "ICE: Animal Behaviors". 

ICE saxophonist Ryan Muncy will perform Ann Cleare's luna (the eye that opens the other eye) for alto saxophone, as well as Alex Mincek's Pendulum III, for alto saxophone and piano, alongside pianist Jacob Greenberg. In Cleare's luna, the composer writes that "the saxophone should be thought of as a dragonfly with eyes so big they cover almost its entire head, giving it a helmeted appeaance and a full 360-degree field of vision." Check out a recording below. 

ICE and Cleare will return to the Miller Theatre in 2018 with a Composer Portrait concert, featuring a newly-commissioned work, two world premieres, and performances of the square of yellow light that is your window and dorchadas

Mincek's Pendulum IIIis an early entry in the composer's Pendulum series, in which musical material oscillates between two poles, accellerating, decelerating, reaching tipping points, and repeating. Check out a 2015 recording by Michael Ibrahim and Ron Stabinsky below. 

Beat Furrer in Portrait at Miller Theatre with Either/Or Ensemble

The "Composer Portraits" series at Columbia University's Miller Theatre has brought the public an unprecedented in-depth look (and listen) into the works of countless living composers over the years. On February 2, Miller Theatre hosts a Portrait Concert featuring the works of Beat Furrer, the renowned Austrian composer, performed by the Either/Or Ensemble.

The program includes the US Premiere of his recent work for clarinet and string quartet, intorno al bianco, as well as linea dell'orizzonte, for ensemble, Ira-Arca, for bass flute and double bass, amd spur for piano and string quartet.

The Either/Or Ensemble was co-founded by fellow PSNY composer Richard Carrick, who will conduct the evening's performances. (This resonates with Furrer's own history as a composer and conductor, having founded Klangforum Wien in 1985). Carrick recently returned to the United States from Rwanda, where he held a Guggenheim Fellowship. In addition to returning to Either/Or, Carrick also returns to a new post in Boston as the Chair of the Composition Department at the Berklee School of Music. 

Check out a recording of Furrer's spur below. 

Lei Liang Portrait Concert at Miller Theatre


(Lei Liang, photo: Howard Lipin)

On November 17th, Miller Theatre at Columbia University will present a Portrait Concert of composer Lei Liang. With performances by the JACK Quartet, loadbang, bassist Mark Dresser and with Steven Schick conducting, this concert will feature the New York premiere of Liang's concerto for double bass and ensemble Luminous (2014), as well as the World Premiere of Lakescape V, a new work commissioned by Miller Theatre and dedicated to loadbang. 

(Excerpt from Luminous, performed by Mark Dresser, San Francisco Contemporary Music Players, Steven Shick, conductor)

Liang's work is often influenced by traditional Chinese music—from Opera, to Mongolian throat singing, to instruments such as the guqin, an ancient zither—and brings these influences to bear on decidedly idiosyncratic, flexible concepts such as "one note polyphony", shadows, breathing, and transformation. As Paul Griffiths writes, "he breaths, so to say, from both of his lungs." The concert program features works from throughout Liang's career that illustrate and sonify these conceps, including Ascension, for brass quintet and percussion, and Serashi Fragments, for string quartet, along with Luminous and Lakescape V

                
(pages from Lei Liang's Luminous)

The Lakescape series encapsulates many of Liang's diverse interests. At a Mahayana Buddhist monastery in upstate New York, Liang observed a beaver swimming through a lake's placid surface; this led him to realize, in his words, that "underneath the music I write is a profoundly deep silence upon which I seek to inscribe my signature through sound."

In anticipation of the portrait concert, check out a video from the world premiere of Liang's recent string quartet Song Recollections, performed by the Formosa Quartet: 

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