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Information Regarding COVID-19

Our New York City office remains closed to protect the health and safety of all of our employees. During this time, we are doing everything possible to minimize disruptions to our daily operations. All employees are working remotely and remain fully contactable. If you have had to cancel or postpone a performance of a work from our catalogue, or are considering live streaming performances or streaming archival material, we are prepared to assist you in facilitating changes. Please direct all questions or concerns to rental@eamdc.com.

Please note:

  • All materials from canceled or completed performances should be returned to our Verona, New Jersey library only.
  • Please do not return materials to our New York office. Unfortunately, we cannot be responsible for lost materials that are returned to our New York office while it is closed. If materials are lost, we will have to charge the full replacement value.

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Posts tagged 'Miller Theatre'

Christopher Cerrone's "Liminal Highway" Released as Album and Film

Back in 2016, Christopher Cerrone continued his innovative exploration of new possibilities for musical composition with a work for the flautist Tim MunroLiminal Highway, for flute and electronics. Originally co-commissioned by Miller Theatre & New Music USA, this work continued to develop into more than a work for live performance: in 2018, Cerrone and Munro teamed up with Four/Ten Media to produce a film of the piece, shot aboard the decaying SS United States—a decomissioned ship that lives in the Philadelphia harbor. 

Like many of Cerrone's works, Liminal Highway takes inspiration from a poem: "Liminal Highway," by John K. Samson, known for his work with the indie-rock band The Weakerthans. In conversation with the Classical Post, Cerrone and Munro discuss the making of the piece, including Cerrone's amateur explorations of the flute, taking inspiration from the world's longest reverberation, and the process of "fixing" a piece in recorded media. In addition to the film, Liminal Highway is also released as an audio recording on New Focus RecordingsLiminal Highway joins many other of Cerrone's works as hybrid works that are simultaneously fixed and open, existing in multiple media yet also begging to be performed live. 

All five movements of Liminal Highway are now streaming on Bandcamp, where the album is also available for sale:

Kate Soper's "Ipsa Dixit" Album Release and Portrait Concert

"[T]hat’s something that happens in a lot of my work lately: I’m trying really hard to tell you something, and you know that I’m trying, and you’re getting something out of it, but basically we’re both aware of the fact that that’s not possible. And I think the texts that I feel really drawn to have something of that in them."

For the past eight years, Kate Soper has been testing, and playing, with the liminal space between music, text, and language. This study has produced, among other works, the evening-length "philosophy-opera" Ipsa Dixit, a recording of which will be released on New World Records on October fifth, featuring the many people with whom Soper has worked closely over to produce this work—including flutist Erin Lesser, violnist Joshua Modney, and percussionist Ian Antonio, all of the Wet Ink Ensemble.

But Ipsa Dixit is much more than a recording: it has also existed as a staged performance, with lighting, projection, and costumes, and its individual movements also function on their own.  These movements—Poetics, Only the Words Themselves Mean What They Say, Rhetoric, The Crito, Metaphysics, and Cipheralso function on their own, and indeed have been performed by Soper and her collaborators since 2010. In each, Soper offers a multi-faceted exploration of fundamental questions of textuality, communication, and sound, through setting texts by Aristotle, Guido d'Arrezo, Lydia Davis, Michael Drayton, Robert Duncan, Plato, Sigmund Freud, Jenny Holzer, Sophocles, Sarah Teasdale, and Ludwig Wittgenstein.  

All of this led to Ipsa Dixit being a finalist for the 2017 Pulitzer Prize in Music, whose committe described it as "a breakthrough work that plumbs the composer’s fertile musical imagination to explore the relationships between idea and expression, meaning and language."

Ipsa Dixit will also be performed live, by Soper, Lesser, Antonio, and Modney, at a Portrait Concert at Columbia University's Miller Theatre, on October 27th. This performance, directed by Ashely Tata, will feature costumes, lighting, and projection, by the same creative team that premiered the evening-length work in 2016 at EMPAC. Check out a video recording of Poetics from that performance below. 

Christopher Cerrone Portrait Concert at Columbia's Miller Theatre

Christopher Cerrone has taken inspiration for many of his works from the worlds of literature and poetry; on March 29th, he will see the premiere of a new work entitled "A Natural History of Vacant Lots" that instead draws from the poesis of the urban landscape.

Echoing the etymological root of the term "poesis" (ποίησις)—to bring something into existence that did not exist before—Cerrone's new piece takes inspiration from a 1987 book that surveys the life that emerges from vacant city lots, a cyclical process that unfolds organically and that can create surprising results. As Cerrone told Broadway World, "Though the growth of the material is extremely gradual, the things that emerge from the cycle of chords are sometimes surprising and veer quite far from the original material." This material is heard developing around the audience in a dimly-lit concert hall, emerging from two vibraphones and several loudspeakers into what New York Magazine calls a "dense sonic tangle."

A Natural History of Vacant Lots will be performed by Third Coast Percussion, with whom Cerrrone has worked extensively, and who co-commissioned the work along with Miller Theatre. Third Coast will also perform Cerrone's 2016 Goldbeater's Skin, accompanied by the soprano Rachel Calloway, and his 2012 work Memory Palace, arranged for percussion quartet. Check out the solo version of Memory Palace below. 

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