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Posts tagged 'Annie Gosfield'

PSNY Composers in Alex Ross' 2017 Top Ten Lists

As the year ends, critics are busy preparing their annual accountings of the very best music of 2017. Alex Ross, the classical music critic of The New Yorker, has deftly diversified his year-end top ten lists, counting his favorite notable performances and recordings from the year. At the top of these lists is Kate Soper'sIpsa Dixit, performed at Dixon Place on February 4th. Ross describes Soper as "one of the great originals of her generation—a maker of erudite entertainments that inhabit a self-invented realm halfway between opera and philosophy."

Next on Ross' list is Chaya Czernowin's opera, Infinite Now, which premiered on April 23rd at the Flemish Opera. Check out an interview with Czernowin about this work below. 

Annie Gosfield's new adaptation of War of the Worlds, presented by the Los Angeles Philharmonic and narrated by Sigourney Weaver, also made it to Ross' list of notable performances. Check back soon for the full score of Gosfield's War of the Worlds on PSNY. 

Ross has been a vocal proponent of the music of Scott Wollschleger, so it is no surprise that Wollschleger's recent album on New Focus Recordings, "Soft Aberration", made it to his top ten records of 2017. That album features many of Wollschleger's recent works, including Brontal Symmetry, Soft Aberration, Bring Something Incomprehensible Into This World, and String Quartet No. 2 "White Wall". Check out Brontal Symmetry below.

Last but not least on Ross' list of notable recordings is Gregory Spears'  "Fellow Travelers", the very first recording produced and performed by the Cincinnati Opera. Three pieces from this opera—"I worry, that's all"; "Last Night"; and "Our Very Own Home"—are available from PSNY. See a concert performance of this last piece below.

Annie Gosfield's "The War of the Worlds" Premieres at LA Phil

On November 12th and 18th, PSNY composer Annie Gosfield's new multi-location opera, The War of the Worlds, will premiere at the Walt Disney Concert Hall, as well as three remote "siren sites" situated throughout Downtown LA. Performed by the LA Phil New Music Group, The War of the Worlds is directed by Yuval Sharon, and is co-produced by The Industry and Now Art. It will be narrated by Sigourney Weaver, whose voice will reverberate throughout downtown LA via three revamped WWII-era sirens, broadcasting her narration and the orchestra's music. 

The War of the Worlds takes its name and libretto from Orson Welles' 1938 radio broadcast, which blurred the lines between news reporting and storytelling. Through Yuval's libretto and direction, Gosfield updates this drama's focus on media, technology, and broadcasting by placing three of the main characters at remote "siren" locations interspersed througout the city, as well as incorporating radio sounds into her composition. Gosfield has worked extensively with radios in her compositional work, including Long Waves and Random Pulses, for violin and jammed radio signals. Check it out below.

The War of the Worlds will be published by PSNY after its premiere. Check back soon for the full score!  

New Albums featuring Annie Gosfield and Ted Hearne

Two albums out this month by Philadelphia-based ensembles showcase the music of Ted Hearne and Annie Gosfield. The Jasper String Quartet's album Unbound, released on March 17, includes a recording of Gosfield's string quartet The Blue Horse Walks on the Horizon, and the intrepid chamber choir The Crossing releases a recording of Hearne's Sound from the Bench on March 24.



Gosfield's The Blue Horse Walks on the Horizon, which was commissioned and premiered by the Jaspers in 2010, was inspired by the radio broadcasts, encryption methods and secret codes used by European resistance groups during World War II. The work's title references one of the statements broadcast from the British to the French Resistance in their "messages personnels" radio program ("Le cheval bleu se promène sur l'horizon"), and which Gosfield uses as a rhythmic basis for the work's opening figure. The new album, released on New Amsterdam Records, also includes an excerpt of Hearne's Law of Mosaics, as well as works by Caroline Shaw, Missy Mazzoli, Judd Greenstein, David Lang and Donnacha Dennehy. 

Following performances of Hearne's politically-charged cantata Sound from the Bench in Philadelphia, Boston and New York, The Crossing's new album (released by Cantaloupe Music) features the first recording of that work alongside new recordings of Hearne's Consent, Ripple and Privilege



Donald Nally, who leads The Crossing, notes that Hearne's works on the album are "fundamentally about asking questions—questions about the world we live in, about art, and about language and music." The album, containing some of Hearne's most adventurous works to date, demonstrates his socially conscious approach to composition and his goal to "bring the chaotic forces of life into the work itself." Listen to a sample of Hearne's Consent:

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