Composers
- Katherine Balch
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- Joan La Barbara
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- Wang Lu
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- Tobias Picker
- Matthias Pintscher
- Bernard Rands
- Katharina Rosenberger
- Huang Ruo
- Joseph Schwantner
- Howard Shore
- Wayne Shorter
- Alvin Singleton
- Stanislaw Skrowaczewski
- Elijah Daniel Smith
- Kate Soper
- Gregory Spears
- Morton Subotnick
- Dobrinka Tabakova
- Karen Tanaka
- Ken Ueno
- Stewart Wallace
- Shelley Washington
- Kurt Weill
- Scott Wollschleger
- Katherine Young
- Ellen Taaffe Zwilich
Blog Archive
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- Alvin Singleton's "Sweet Chariot" at the National Museum of African American History & Culture
- Joan La Barbara Performs "Music for Merce" in Minneapolis & Chicago
- Praise for Kate Soper's "Ipsa Dixit"
- Æolus Quartet Performs Keeril Makan's "Washed by Fire"
- Mario Diaz de Leon Premieres "Sacrament" with Talea Ensemble
- Ann Cleare's "eyam v (woven)" Premieres at RTÉ National Symphony Orchestra
- Music from Copand House: Pierre Jalbert, "Secret Alchemy"
- Kettle Corn New Music Presents Scott Wollschleger's "Brontal Symmetry"
- Third Coast Percussion Premieres Christopher Cerrone's "Goldbeater's Skin"
- Anthony Cheung in Residency at 113 Composers Collective
- Kate Soper's "Ipsa Dixit" Premieres at Dixon Place
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(5 posts)
- Andrew Norman's "Play", Revised & Ready for Action at the LA Phil
- Ann Cleare's "eyam ii" Premiered by Argento Ensemble
- Contemporary Piano Video Library features Lei Liang's "Garden Eight"
- Ted Hearne's "The Source" in Los Angeles and San Francisco
- Ethan Iverson interviews Alvin Singleton on "Do The Math"
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(6 posts)
- New Works by Kate Soper and Mario Diaz de Leon at the LA Phil
- Lerdahl and Carrick Performed by Sound Icon in Boston
- Yale Choral Artists Perform Hannah Lash's "Requiem"
- Ann Cleare's "Mire |...| Veins" at the Festival of New Trumpet Music
- Ted Hearne: Sounds from the Bench
- Erin Gee Featured at the Resonant Bodies Festival
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- Lei Liang: Deriving Worlds
- Pierre Jalbert's "Howl" Recorded by Pro Arte Quartet
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- New Releases of Morton Subotnick's Works for "Ghost Electronics"
- Timo Andres' "Comfort Food" in New York
- Anthony Cheung's "Dystemporal" Now Available from Wergo
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(8 posts)
- Hannah Lash at the New York Philharmonic Biennial
- Jennifer Koh's "Shared Madness"
- World Premiere of Mario Diaz de Leon's "O Ignis Spiritus" by the TAK Ensemble
- Hannah Lash's "Beowulf" Premiered by Guerilla Opera
- Josh Modney in the PSNY Greenroom
- Alex Mincek: "On The Outside, Looking Out"
- Awards Season for PSNY Composers
- Upcoming Performances of Wollschleger, Cerrone
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- Christopher Cerrone's "High Windows" on Q2 Music's "LPR Live" Podcast
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- Alex Mincek Portrait Concert at Miller Theatre
- Ted Hearne Premieres "Baby (an argument)" with Ensemble ACJW
- Kate Soper's OITOITOI Premiered by Ogni Suono Duo
- Marilyn Nonken Debuts Richard Carrick's "la touche sonore sous l'eau"
- ▼January
(7 posts)
- Kate Soper Profiled on NewMusicBox
- Timo Andres at the Phillips Collection
- Sleeping Giant at Carnegie Hall and Le Poisson Rouge
- Josh Modney Performs at Spectrum NYC
- Lei Liang Performed by the Mivos Quartet
- Gregory Oakes Performs Ken Ueno at the 2016 New Music Gathering
- PSNY Remembers John Duffy (1926-2015)
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(7 posts)
- Ted Hearne's "Law of Mosaics" in Chicago; "The Source" CD Release
- "The Branch Will Not Break" at Present Music
- Two New Works by Timo Andres
- Soper, Lash, and Pintscher Performances on the East Coast
- Sound Icon Performs Ken Ueno's "Zetsu"
- Andrew Norman Premieres "Switch" at Utah Symphony
- PSNY Around America
- ▼October
(8 posts)
- New Works on PSNY: Wollschleger, Ueno and Cerrone
- New Works and Performances by Ann Cleare
- Hannah Lash Premieres Two Works with ACO and Ensemble Intercontemporain
- Keeril Makan's "Persona" Premieres at National Sawdust
- JACK Quartet and ACO Premiere New Alex Mincek Concerto
- Rufus Wainwright's "Prima Donna" on Deutsche Grammophon
- New Works by Timo Andres on PSNY
- Vijay Iyer Joins PSNY!
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- Opera News from PSNY Composers
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- New Works from Evan Ziporyn, Lei Liang, René Leibowitz, Christopher Cerrone, and Hannah Lash
- The British Are Coming! To PSNY!
- A Keeril Makan Premiere, Conducted by Richard Carrick
- Tobias Picker on Tzadik Records
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Newsletter
Ted Hearne Joins PSNY!
We're thrilled to announce that PSNY now represents several works by the brilliant, powerful, and politically-minded composer Ted Hearne. Active as both a composer and a performer, Hearne's output ranges from his noise-pop duo R We Who R We (with Philip White), to his powerful Katrina Ballads, a song cycle based on primary source texts in the wake of Hurricane Katrina, as well as dozens of works for orchestra, chamber ensemble, and soloists. Hearne now has three works available from PSNY:
The first is Consent, a powerful piece for 16 voices. This piece illustrates the idea of a "desiring machine": the impulse of desire, "I want you/I want to" becomes the productive force for a swarm of textual and harmonic fragments that illustrate the way one body wants another in the age of late capitalism. The multiplicity of voices enters the listener's brain all at once, as if vocalizing a rapid-fire succession of thoughts coming into being, at once contradictory, disturbing, heart-felt. "All of it shall be mortgageable and bound as security"/"it can be taken from me - even from the shirt on my back". Hearne mixes text fragments from his own love letters, his father's love letters, the Catholic and Jewish rites of marriage, and text messages used in evidence in the Steubenville Rape trial of 2013. Consent premiered at the 2014 International Festival of Arts and Ideas with Jeffrey Douma leading the Yale Choral Artists:
Next is But I Voted for Shirley Chisholm, for 11 instruments and fixed electronics, which was commissioned and premiered by Alan Pierson and the Brooklyn Philharmonic. Shirley Chisholm, a congresswoman from Brooklyn's Bedford-Stuyvesant neighborhood, was the first African-American to run for the President of the United States on a major party ticket, in 1972. Hearne's work recalls lyrics from rapper Biz Markie's 1988 track "Nobody beats the biz:" "Make you co-operate with the rhythm / that is what I give 'em / Reagen is the Prez' but I voted for Shirley Chisholm." Sampling and cutting up Biz Markie's track, Hearne re-purposes and re-imagines this song in an orchestral setting, layering samples over orchestral writing and vice-versa.
Furtive Movements, for cello and percussion, continues Hearne's explorations of the intersections between politics and music. The phrase "furtive movements" is one of the most commonly used justifications by the New York Police Department for their controversial "stop and frisk" policy, where "suspicious" (or "furtive") individuals are stopped, frisked, and often detained by the police. Hearne argues that this phrase says more about the expectations of the police officer than the guilt of the "suspect;" he writes, "my challenge in writing Furtive Movements was to call [the performers'] assumed identities into question, and to try and blur the lines between their musical roles." Check out a performance of Furtive Movements featuring cellist Ashley Bathgate and percussionist Ron Wiltrout: