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Posts tagged 'EMPAC'

Kate Soper's "IPSA DIXIT" Now Available on PSNY

Kate Soper's ambitious and multi-faceted project, IPSA DIXIT ["She, Herself, Said It"] is now available on PSNY. A finalist for the 2017 Pulitzer PrizeIPSA DIXIT is a six-movement chamber music theater work for soprano, flute, violin, and percussion that explores the intersections of music, language, and meaning. In addition to being performed as a full work, each of the movments may be performed as a standalone piece, or in any combination with each other. 

The work was developed by Soper with musicians from the Wet Ink Ensemble during a residency at EMPAC, and later premiered in a fully staged version at Dixon Place. Writing in the New Yorker, Alex Ross calls IPSA DIXIT a "twenty-first century masterpiece", and an example of Soper's unique genre of "philosophy-opera."

Steve Smith reviewed the work's premiere at Dixon Place as "a dazzlingly varied six-part sequence of quartets and duets spanning a stylistic range best described as broad and eclectic, but never unapproachable, employing texts concerning matters of intellect and sentiment, cognition and persuasion, perception and awareness."

Now, in addition to the full score and performance materials, each individual movement of IPSA DIXIT is also available on PSNY: Poetics, Only the Words Themselves Mean What They Say, Rhetoric, The Crito, Metaphysics, and Cipher

A complete studio recording of the six movements of IPSA DIXIT is forthcoming, so stay tuned for more news!

Check out video excertps of each movement below. 

Kate Soper's "Ipsa Dixit" Named Finalist for Pulitzer Prize



Kate Soper
's Ipsa Dixit has been named a Finalist for the 2017 Pulitzer Prize in Music, along with winner Du Yun for her work Angel's Bone and fellow finalist Ashley Fure for Bound to the Bow.

Ipsa Dixit, which synthesizes several of Soper's compositions into a seamless theatrical performance, was developed during a residency at EMPAC, and premiered in a fully-staged version this February at Dixon Place. The piece, as Alex Ross writes in The New Yorker, is a "twenty-first century masterpiece" and "an awesomely wide-ranging intellectual journey." Soper's nomination also marks an important event in the seventy-four year history of the Pulitzer Prize: it is the first time that all three nominees are women. 

Three of the movements of Ipsa Dixit are available on PSNY, and each can also be performed as a standalone work: Cipher, for soprano and violin; Only The Words Themselves Mean What They Say, for soprano and flute; and Rhetoric, for soprano, flute, violin, and percussion. The remaining movements will be published soon, making each individual movement available for study and performance, as well as a score and set of parts for Ipsa Dixit in its entirety.

Below, check out an excerpt from Ipsa Dixit from the recent live staged performance at EMPAC with Soper and the Wet Ink Ensemble:

Kate Soper's "Ipsa Dixit" Premieres at Dixon Place

For six years, Kate Soper has been developing Ipsa Dixit ["She, herself, said it"]: an evening-length work that brings together her voice and instrumentalists of the Wet Ink Ensemble for an evening-length, staged work that explores the intersections between music, language, and meaning. Bringing together texts by Aristotle, Lydia Davis, Freud, and Plato, Ipsa Dixit addresses questions long avoided by philosophers and music theorists alike: is music a language? What, exactly, does it communicate? And who—body, voice, or instrument—is speaking?

Ipsa Dixit began when Soper realized that several of her works for voice and instruments—including Only the Words Themselves Mean What They Say (2010-11) and cipher (2011)—shared several theoretical and musical correspondences, and ought to be developed into a single, multi-movement work. Through the past six years, Ipsa Dixit has developed into an evening-length work, with workshops and performances around the country, featuring Soper and Erin Lesser, Ian Antonio, and Josh Modney from Wet Ink. During a week-long residency at EMPAC in 2016, the piece developed into its final, fully-realized form, with the addition of director Ashley Tata, lighting designer Anshuman Bhatia, and projection artist Brad Peterson. 

Now, on February 3rd and 4th at Dixon Place, Ipsa Dixit is set to premiere in its most evolved form. (Dixon Place also saw the premeire of another of Soper's theatrical works, Here Be Sirens, in 2014.) If you're in New York, be sure to be there! 

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