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Posts tagged 'The Cleveland Orchestra'

Anthony Cheung's "Lyra" at the Cleveland Orchestra

Having recently "built a bridge to Beethoven" with the premiere of his new work "Elective Memory" by Jennifer KohAnthony Cheung will see another performance of a Beethoven-inspired work: Lyra, which takes a cue from Beethoven's Fourth Piano Concerto, at The Cleveland Orchestra. Cheung, who was named the Cleveland Orchestra's Young Composer Fellow for the 2016-17 season, is in the process of composing a new orchestral work to be premiered in that season; in the meantime, he oversees an encore performance of Lyra, which was commissioned by the New York Philharmonic with assistance from veteran composer Henri Dutilleux.

The Cleveland Classical blog has published a thorough preview of the performance, and has published a slideshow previewing the work. Listen to the New York Philharmonic's premiere performance here, and check out a performance of Cheung's vis-à-vis, performed by Ensemble Linea, below:

Anthony Cheung at the Cleveland Orchestra

The Cleveland Orchestra, youngest of the "Big Five" American orchestras, has recently announced that PSNY composer Anthony Cheung will hold their 2015-2016 Daniel R. Lewis Young Composer Fellowship. Cheung, who recently moved to the midwest to be an Assistant Professor of Music at the University of Chicago, will not only be composing a new orchestral work for the orchestra—but will also be involved with educational programming throughout northeast Ohio. In addition, the Cleveland Orchestra will perform Cheung's Lyra in early 2016. 

Cheung's work shows a deep commitment to exploring the boundaries of pattern, form, and cohesion in composed music, while remaining intuitive, affective, and profound. Several of his works published by PSNY for ensemble showcase his intricate part-writing for small groups—such as Enjamb, Influse, Implode, and Centripedalocity. We look forward to seeing (and hearing!) how Cheung will use the forces of the Cleveland Orchestra to explore even further. 

For a peek into Cheung's compositional process for working with large ensembles, check out this 2012 interview with WNYC's John Schaefer:

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