Composers
- Katherine Balch
- Marcos Balter
- Robert Beaser
- Gavin Bryars
- Richard Carrick
- Christopher Cerrone
- Anthony Cheung
- Ann Cleare
- Douglas J. Cuomo
- Anthony Davis
- James Díaz
- Mario Diaz de Leon
- Joe Duddell
- John Duffy
- David Felder
- David Brynjar Franzson
- Beat Furrer
- Erin Gee
- Annie Gosfield
- Michael Hersch
- Lee Hoiby
- Katherine Hoover
- Kamran Ince
- Vijay Iyer
- Pierre Jalbert
- Daniel Kidane
- Phil Kline
- Adrian Knight
- Mary Kouyoumdjian
- Joan La Barbara
- Han Lash
- Fred Lerdahl
- Lei Liang
- Wang Lu
- Keeril Makan
- Steve Martland
- Alex Mincek
- Andrew Norman
- Stephen Paulus
- George Perle
- Tobias Picker
- Matthias Pintscher
- Bernard Rands
- Katharina Rosenberger
- Huang Ruo
- Joseph Schwantner
- Howard Shore
- Wayne Shorter
- Alvin Singleton
- Stanislaw Skrowaczewski
- Elijah Daniel Smith
- Kate Soper
- Gregory Spears
- Morton Subotnick
- Dobrinka Tabakova
- Karen Tanaka
- Ken Ueno
- Stewart Wallace
- Shelley Washington
- Kurt Weill
- Scott Wollschleger
- Katherine Young
- Ellen Taaffe Zwilich
Blog Archive
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- Alvin Singleton's "Sweet Chariot" at the National Museum of African American History & Culture
- Joan La Barbara Performs "Music for Merce" in Minneapolis & Chicago
- Praise for Kate Soper's "Ipsa Dixit"
- Æolus Quartet Performs Keeril Makan's "Washed by Fire"
- Mario Diaz de Leon Premieres "Sacrament" with Talea Ensemble
- Ann Cleare's "eyam v (woven)" Premieres at RTÉ National Symphony Orchestra
- Music from Copand House: Pierre Jalbert, "Secret Alchemy"
- Kettle Corn New Music Presents Scott Wollschleger's "Brontal Symmetry"
- Third Coast Percussion Premieres Christopher Cerrone's "Goldbeater's Skin"
- Anthony Cheung in Residency at 113 Composers Collective
- Kate Soper's "Ipsa Dixit" Premieres at Dixon Place
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(5 posts)
- Andrew Norman's "Play", Revised & Ready for Action at the LA Phil
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- Contemporary Piano Video Library features Lei Liang's "Garden Eight"
- Ted Hearne's "The Source" in Los Angeles and San Francisco
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(6 posts)
- New Works by Kate Soper and Mario Diaz de Leon at the LA Phil
- Lerdahl and Carrick Performed by Sound Icon in Boston
- Yale Choral Artists Perform Hannah Lash's "Requiem"
- Ann Cleare's "Mire |...| Veins" at the Festival of New Trumpet Music
- Ted Hearne: Sounds from the Bench
- Erin Gee Featured at the Resonant Bodies Festival
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- Lei Liang: Deriving Worlds
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- Anthony Cheung's "Dystemporal" Now Available from Wergo
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(8 posts)
- Hannah Lash at the New York Philharmonic Biennial
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- World Premiere of Mario Diaz de Leon's "O Ignis Spiritus" by the TAK Ensemble
- Hannah Lash's "Beowulf" Premiered by Guerilla Opera
- Josh Modney in the PSNY Greenroom
- Alex Mincek: "On The Outside, Looking Out"
- Awards Season for PSNY Composers
- Upcoming Performances of Wollschleger, Cerrone
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- Christopher Cerrone's "High Windows" on Q2 Music's "LPR Live" Podcast
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- Alex Mincek Portrait Concert at Miller Theatre
- Ted Hearne Premieres "Baby (an argument)" with Ensemble ACJW
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- Marilyn Nonken Debuts Richard Carrick's "la touche sonore sous l'eau"
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(7 posts)
- Kate Soper Profiled on NewMusicBox
- Timo Andres at the Phillips Collection
- Sleeping Giant at Carnegie Hall and Le Poisson Rouge
- Josh Modney Performs at Spectrum NYC
- Lei Liang Performed by the Mivos Quartet
- Gregory Oakes Performs Ken Ueno at the 2016 New Music Gathering
- PSNY Remembers John Duffy (1926-2015)
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- Ted Hearne's "Law of Mosaics" in Chicago; "The Source" CD Release
- "The Branch Will Not Break" at Present Music
- Two New Works by Timo Andres
- Soper, Lash, and Pintscher Performances on the East Coast
- Sound Icon Performs Ken Ueno's "Zetsu"
- Andrew Norman Premieres "Switch" at Utah Symphony
- PSNY Around America
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(8 posts)
- New Works on PSNY: Wollschleger, Ueno and Cerrone
- New Works and Performances by Ann Cleare
- Hannah Lash Premieres Two Works with ACO and Ensemble Intercontemporain
- Keeril Makan's "Persona" Premieres at National Sawdust
- JACK Quartet and ACO Premiere New Alex Mincek Concerto
- Rufus Wainwright's "Prima Donna" on Deutsche Grammophon
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- Opera News from PSNY Composers
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- "Invisible Cities" named 2014 Pulitzer Prize Finalist!
- New Works from Evan Ziporyn, Lei Liang, René Leibowitz, Christopher Cerrone, and Hannah Lash
- The British Are Coming! To PSNY!
- A Keeril Makan Premiere, Conducted by Richard Carrick
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Newsletter
Christopher Cerrone's "Invisible Cities" in LA's Union Station
Invisible Cities, an opera by Christopher Cerrone, has gained a lot of press attention since its October 19th premiere-- including a review in the LA Times, television, blog and radio coverage, and hundreds of photos on Instagram. Produced by The Industry and the LA Dance Project, Invisible Cities is being performed in Los Angeles' historic Union Station, with the sound of the orchestra and singers sent to wireless headphones, which are distributed to the audience and provided by Sennheiser.
During the seventy-minute work, two hundred audience members are given headphones and allowed to roam the train station, which in addition to the opera's eight singers and eleven instrumentalists, is also open to the commuting public. Based on Italo Calvino's novel of the same name, the opera explores Marco Polo's travels to lands of increasing virtual potential through conversation with Kublai Khan, a magical realist imagining of the limitless possibilities afforded by travel, both real and imaginary. Set in a regional center for inter-city travel, Invisible Cities blurs the line between personal and collective reality, taking over the audience's sense of hearing while leaving the rest of their body to explore a space both real and imaginary at the same time.
Cerrone's music, with its inward focus, use of electronics, and deep sense of magical reality, is a perfect fit for this production, which embodies and aesthetic developed in other works like The Night Mare and How to Breathe Underwater. Other works, such as Hoyt-Schemerhorn and Harriman, both for piano and electronics, lend themselves to headphone listening: using field recordings and other techniques to evoke a sense of place, they position the listener both within the composition's imagined space and without it, an ephemeral, un-rooted experience similar to that of experiencing Invisible Cities.
The opera’s run was extended by five performances, all of which sold out, but two shows have been added for Sunday, November 3, including a free performance. Be sure to keep an eye out for audience members' social media on Instagram, Vine, and Twitter. Also, check out this documentary by Artbound for a behind-the-scenes look at this production of Invisible Cities.