Composers
- Katherine Balch
- Marcos Balter
- Robert Beaser
- Gavin Bryars
- Richard Carrick
- Christopher Cerrone
- Anthony Cheung
- Ann Cleare
- Douglas J. Cuomo
- Anthony Davis
- James Diaz
- Mario Diaz de Leon
- Joe Duddell
- John Duffy
- David Felder
- David Brynjar Franzson
- Beat Furrer
- Erin Gee
- Annie Gosfield
- Michael Hersch
- Lee Hoiby
- Katherine Hoover
- Kamran Ince
- Vijay Iyer
- Pierre Jalbert
- Phil Kline
- Adrian Knight
- Mary Kouyoumdjian
- Joan La Barbara
- Han Lash
- Fred Lerdahl
- Lei Liang
- Wang Lu
- Keeril Makan
- Steve Martland
- Alex Mincek
- Andrew Norman
- Stephen Paulus
- George Perle
- Tobias Picker
- Matthias Pintscher
- Bernard Rands
- Katharina Rosenberger
- Joseph Schwantner
- Howard Shore
- Alvin Singleton
- Stanislaw Skrowaczewski
- Elijah Daniel Smith
- Kate Soper
- Gregory Spears
- Morton Subotnick
- Dobrinka Tabakova
- Karen Tanaka
- Ken Ueno
- Stewart Wallace
- Shelley Washington
- Kurt Weill
- Scott Wollschleger
- Katherine Young
- Ellen Taaffe Zwilich
Blog Archive
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- ▼February
(11 posts)
- Alvin Singleton's "Sweet Chariot" at the National Museum of African American History & Culture
- Joan La Barbara Performs "Music for Merce" in Minneapolis & Chicago
- Praise for Kate Soper's "Ipsa Dixit"
- Æolus Quartet Performs Keeril Makan's "Washed by Fire"
- Mario Diaz de Leon Premieres "Sacrament" with Talea Ensemble
- Ann Cleare's "eyam v (woven)" Premieres at RTÉ National Symphony Orchestra
- Music from Copand House: Pierre Jalbert, "Secret Alchemy"
- Kettle Corn New Music Presents Scott Wollschleger's "Brontal Symmetry"
- Third Coast Percussion Premieres Christopher Cerrone's "Goldbeater's Skin"
- Anthony Cheung in Residency at 113 Composers Collective
- Kate Soper's "Ipsa Dixit" Premieres at Dixon Place
- ▼January (4 posts)
- ▼December (4 posts)
- ▼November (6 posts)
- ▼October
(5 posts)
- Andrew Norman's "Play", Revised & Ready for Action at the LA Phil
- Ann Cleare's "eyam ii" Premiered by Argento Ensemble
- Contemporary Piano Video Library features Lei Liang's "Garden Eight"
- Ted Hearne's "The Source" in Los Angeles and San Francisco
- Ethan Iverson interviews Alvin Singleton on "Do The Math"
- ▼September
(6 posts)
- New Works by Kate Soper and Mario Diaz de Leon at the LA Phil
- Lerdahl and Carrick Performed by Sound Icon in Boston
- Yale Choral Artists Perform Hannah Lash's "Requiem"
- Ann Cleare's "Mire |...| Veins" at the Festival of New Trumpet Music
- Ted Hearne: Sounds from the Bench
- Erin Gee Featured at the Resonant Bodies Festival
- ▼August (1 posts)
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- ▼June
(6 posts)
- Lei Liang: Deriving Worlds
- Pierre Jalbert's "Howl" Recorded by Pro Arte Quartet
- Gregory Spears' "Fellow Travelers" Premieres at Cincinnati Opera
- New Releases of Morton Subotnick's Works for "Ghost Electronics"
- Timo Andres' "Comfort Food" in New York
- Anthony Cheung's "Dystemporal" Now Available from Wergo
- ▼May
(8 posts)
- Hannah Lash at the New York Philharmonic Biennial
- Jennifer Koh's "Shared Madness"
- World Premiere of Mario Diaz de Leon's "O Ignis Spiritus" by the TAK Ensemble
- Hannah Lash's "Beowulf" Premiered by Guerilla Opera
- Josh Modney in the PSNY Greenroom
- Alex Mincek: "On The Outside, Looking Out"
- Awards Season for PSNY Composers
- Upcoming Performances of Wollschleger, Cerrone
- ▼April (4 posts)
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- ▼February
(6 posts)
- Christopher Cerrone's "High Windows" on Q2 Music's "LPR Live" Podcast
- "In The Chamber" with Kamran Ince, Pierre Jalbert, and Christopher Cerrone
- Alex Mincek Portrait Concert at Miller Theatre
- Ted Hearne Premieres "Baby (an argument)" with Ensemble ACJW
- Kate Soper's OITOITOI Premiered by Ogni Suono Duo
- Marilyn Nonken Debuts Richard Carrick's "la touche sonore sous l'eau"
- ▼January
(7 posts)
- Kate Soper Profiled on NewMusicBox
- Timo Andres at the Phillips Collection
- Sleeping Giant at Carnegie Hall and Le Poisson Rouge
- Josh Modney Performs at Spectrum NYC
- Lei Liang Performed by the Mivos Quartet
- Gregory Oakes Performs Ken Ueno at the 2016 New Music Gathering
- PSNY Remembers John Duffy (1926-2015)
- ▼December (3 posts)
- ▼November
(7 posts)
- Ted Hearne's "Law of Mosaics" in Chicago; "The Source" CD Release
- "The Branch Will Not Break" at Present Music
- Two New Works by Timo Andres
- Soper, Lash, and Pintscher Performances on the East Coast
- Sound Icon Performs Ken Ueno's "Zetsu"
- Andrew Norman Premieres "Switch" at Utah Symphony
- PSNY Around America
- ▼October
(8 posts)
- New Works on PSNY: Wollschleger, Ueno and Cerrone
- New Works and Performances by Ann Cleare
- Hannah Lash Premieres Two Works with ACO and Ensemble Intercontemporain
- Keeril Makan's "Persona" Premieres at National Sawdust
- JACK Quartet and ACO Premiere New Alex Mincek Concerto
- Rufus Wainwright's "Prima Donna" on Deutsche Grammophon
- New Works by Timo Andres on PSNY
- Vijay Iyer Joins PSNY!
- ▼September (3 posts)
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- ▼April (6 posts)
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- ▼April
(7 posts)
- Opera News from PSNY Composers
- Introducing the PSNY Greenroom
- "Invisible Cities" named 2014 Pulitzer Prize Finalist!
- New Works from Evan Ziporyn, Lei Liang, René Leibowitz, Christopher Cerrone, and Hannah Lash
- The British Are Coming! To PSNY!
- A Keeril Makan Premiere, Conducted by Richard Carrick
- Tobias Picker on Tzadik Records
- ▼March (3 posts)
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Newsletter
New Year, New Works!
Happy new year from PSNY! 2013 is shaping up to be a great season, with over 30 new works recently added to the catalogue, all available as digital editions for immediate download. Audiences in New York will be able to hear works by two PSNY composers performed live at Carnegie Hall this season, as well. On January 18th, the American Composers' Orchestra performs the World Premiere of Kate Soper's now is forever for Soprano and Orchestra; and on April 2nd, pianist Jonathan Biss and the Elias String Quartet perform the New York Premiere of Timothy Andres' "Piano Quintet," a co-commission by Carnegie Hall. Be sure to attend these performances if you can!
Some standouts from this windfall of new works include pieces by both well-established and up-and-coming composers ranging from Andrew Norman to Fred Lerdahl, Morton Subotnick to Scott Wollschleger. Many of these pieces are excellent additions to repertoire, and are standouts at every performance. Some highlights:
Andrew Norman, Gran Turismo. What’s better than an Andrew Norman piece for solo strings, such as Sabina? An Andrew Norman piece for 8 violins, of course! Gran Turismo is quickly becoming an internationally renowned piece, a virtuoso show-stopper perfect for orchestras and chamber ensembles alike.
Kamran Ince, Symphony in Blue. Ince’s alchemical melding of Western concert music with Turkish influence manifests itself in his newest solo piano work, Symphony in Blue. Premiered in Turkey in June, 2012, Symphony in Blue was commissiomned by the Istanbul Museum of Modern Art to honor the rare viewing of Burhan Dogancay's painting, “Symphony in Blue” (Mavi Senfoni, 1987).
Morton Subotnick, Liquid Strata. Subotnick, now the acknowledged godfather of electronic music, composed Liquid Strata for piano and electronic ghost score in 1977. We are extremely pleased to offer, for the first time ever, Subotnick’s electro-acoustic pieces for sale through PSNY, with all required software patches included.
Chris Cerrone, Memory Palace. This work, appropriately listed near Subotnick’s, also includes electronics to accompany a solo performer, in this case a percussionist. Cerrone has laid out detailed instructions for this piece on the construction of home-made percussion instruments, which constitute the majority of this work’s instrumentation. In addition to these homemade instruments, field recordings give this work an extra layer of sonic activity, adding to its radically subjective aesthetic.
Scott Wollschleger, Brontal No. 3. Wollschleger’s conception of time, owing strongly to French theorist Gilles Deleuze, frames his melodic lines with an aspect he describes as “Brontal”: strange, primordial, monolithic, and of odd proportions. This piece, for small ensemble, deconstructs melody and refrain with a rarefied sensitivity to time, a slowly-recurring, ephemeral birdsong.
Lei Liang, Lakescape II and Dialectal Percussions. Two percussion works by Liang highlight his involvement with the dramatization of the grey area between music and language. Dialectical Percussions, ideally performed on a dark stage with low blue lighting, maps the Peking dialect onto the percussionist, creating a monodrama of “musical dialects.”
Fred Lerdahl, Fantasy Etudes. Lerdahl’s Etudes, scored for small ensemble, form an intelocking set of 12 studies verging on the fantastic. Characteristic of Lerdahl’s chamber style, these etudes begin with seemingly simple figurations and evolve into complex variations, eventually “collapsing under the weight of its elaborations” as a new etude begins.