Composers
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- Elijah Daniel Smith
- Kate Soper
- Gregory Spears
- Morton Subotnick
- Dobrinka Tabakova
- Karen Tanaka
- Ken Ueno
- Stewart Wallace
- Shelley Washington
- Kurt Weill
- Scott Wollschleger
- Katherine Young
- Ellen Taaffe Zwilich
Blog Archive
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- Alvin Singleton's "Sweet Chariot" at the National Museum of African American History & Culture
- Joan La Barbara Performs "Music for Merce" in Minneapolis & Chicago
- Praise for Kate Soper's "Ipsa Dixit"
- Æolus Quartet Performs Keeril Makan's "Washed by Fire"
- Mario Diaz de Leon Premieres "Sacrament" with Talea Ensemble
- Ann Cleare's "eyam v (woven)" Premieres at RTÉ National Symphony Orchestra
- Music from Copand House: Pierre Jalbert, "Secret Alchemy"
- Kettle Corn New Music Presents Scott Wollschleger's "Brontal Symmetry"
- Third Coast Percussion Premieres Christopher Cerrone's "Goldbeater's Skin"
- Anthony Cheung in Residency at 113 Composers Collective
- Kate Soper's "Ipsa Dixit" Premieres at Dixon Place
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- Andrew Norman's "Play", Revised & Ready for Action at the LA Phil
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- Contemporary Piano Video Library features Lei Liang's "Garden Eight"
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- New Works by Kate Soper and Mario Diaz de Leon at the LA Phil
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- Ann Cleare's "Mire |...| Veins" at the Festival of New Trumpet Music
- Ted Hearne: Sounds from the Bench
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- Lei Liang: Deriving Worlds
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- New Releases of Morton Subotnick's Works for "Ghost Electronics"
- Timo Andres' "Comfort Food" in New York
- Anthony Cheung's "Dystemporal" Now Available from Wergo
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- Hannah Lash at the New York Philharmonic Biennial
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- World Premiere of Mario Diaz de Leon's "O Ignis Spiritus" by the TAK Ensemble
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- Awards Season for PSNY Composers
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- Christopher Cerrone's "High Windows" on Q2 Music's "LPR Live" Podcast
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- Alex Mincek Portrait Concert at Miller Theatre
- Ted Hearne Premieres "Baby (an argument)" with Ensemble ACJW
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- Marilyn Nonken Debuts Richard Carrick's "la touche sonore sous l'eau"
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- Kate Soper Profiled on NewMusicBox
- Timo Andres at the Phillips Collection
- Sleeping Giant at Carnegie Hall and Le Poisson Rouge
- Josh Modney Performs at Spectrum NYC
- Lei Liang Performed by the Mivos Quartet
- Gregory Oakes Performs Ken Ueno at the 2016 New Music Gathering
- PSNY Remembers John Duffy (1926-2015)
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- Ted Hearne's "Law of Mosaics" in Chicago; "The Source" CD Release
- "The Branch Will Not Break" at Present Music
- Two New Works by Timo Andres
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- Sound Icon Performs Ken Ueno's "Zetsu"
- Andrew Norman Premieres "Switch" at Utah Symphony
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- New Works on PSNY: Wollschleger, Ueno and Cerrone
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- JACK Quartet and ACO Premiere New Alex Mincek Concerto
- Rufus Wainwright's "Prima Donna" on Deutsche Grammophon
- New Works by Timo Andres on PSNY
- Vijay Iyer Joins PSNY!
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- Opera News from PSNY Composers
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Newsletter
Posts tagged 'Timo Andres'
Christopher Cerrone's "The Pieces that Fall to Earth" Released on New Amsterdam Records
Christopher Cerrone's long-awaited album, The Pieces that Fall to Earth, has recently been released on New Amsterdam Records. This new album collects three vocal cycles, all performed by the Los Angeles-based collective Wild Up: The Pieces that Fall to Earth, with soprano Lindsay Kesselman; The Naomi Songs, sung by vocalist Theo Bleckmann; and The Branch Will Not Break, sung by a chorus of eight vocalists.
The three vocal cycles collected on The Pieces that Fall to Earth each draw their text from different contemporary poets: Kay Ryan, Bill Knott, and James Wright. In each cycle, Cerrone activates the subtle and powerful affective worlds created through his setting of these poems to music, marrying the modernist and avant-garde sound-worlds of composers such as Luciano Berio and Morton Feldman with more traditional strophic settings of lush and memorable vocal melodies.
Cerrone notes, “These authors profoundly inspired the music that I wrote. I feel that by setting their disparate languages, I have composed three works that are kindred spirits, but whose differences are as profound as their similarities.”
The blog I Care if You Listen recently premiered a music video for "Swept Up Whole," from the album's titular vocal cycle, featuring soprano Lindsay Kesselman. As Cerrone writes,
In “Swept Up Whole,” the narrator sings “You aren’t / swept up whole, / however it / feels. You’re / atomized. The wind / passes. You / recongeal. It’s a surprise.” This film, conceived of by Evan Chapman and Kevin Eikenberg of Four/Ten Media, takes this poem and reimagines its themes visually and chronologically.
The Pieces that Fall to Earth has already been celebrated with an album release concert in Los Angeles; on August 2nd, the album will see another release event at New York's Areté, featuring Theo Bleckmann singing The Naomi Songs in an arrangement for piano and voice, accompanied by Timo Andres, who also wrote liner notes to the album. Rachel Lee Priday will perform Cerrone’s Sonata for Violin and Piano with Andres, and percussionist Andy Meyerson of The Living Earth Show will play a solo version of Cerrone’s meditative A Natural History of Vacant Lots." Cerrone will also accompany soprano Alexandra Smither in his work "I will learn to love a person."
PSNY Recent Recordings: Part II
We're continuing our celebration of recent recordings by PSNY composers this week, and that celebration begins with a landmark album for Anthony Cheung: Dystemporal, a portrait CD released on Wergo in 2016. Containing six premiere recordings of works Cheung, Dystemporal is performed by the Talea Ensemble, which Cheung co-directs alongside percussionist Alex Lipowski, and Ensemble Intercontemporain. These works represent a formative period in Cheung's career, and this new recording presents a landmark document of his unique compositional voice. They include: SynchroniCities (2012) for 8 musicians with electronics; Windswept Cypresses (2005) for flute, viola, harp, percussion; Running the (Full) Gamut (2008) for piano; Centripedalocity (2008) for 7 musicians; Enjamb, Infuse, Implode (2006) for 6 musicians; and Dystemporal (2012) for 23 musicians.
Another PSNY composer also saw a major portrait CD released in 2016: Lei Liang, whose Luminous, released on New World Records, documents five recent compositions that explore his long-standing research into traditional Asian arts and music, and their incorporation into a contemporary music aesthetic. These works, performed by musicians and ensembles including Steven Schick, Daniel Schlosberg, Aleck Karis, Third Coast Percussion, the Formosa Quartet, and the Palimpsest Ensemble, include: Verge Quartet (2013) for string quartet; Trans (2013) for solo percussion; The moon is following us (2015) for solo piano; Inkscape (2014) for percussion ensemble and piano; and Luminous (2014) contrabass solo and ensemble. Check out a performance of Luminous below.
With the Mivos Quartet, Kate Soper recorded her work 2015 work Nadja, a three-song cycle sets texts by Alfred, Lord Tennyson, Ovid, and André Breton that incorporates the composer's own voice into the quartet. Released on New Focus Recordings, Nadja is accompanied by works by Taylor Brook and Andrew Greenwald to complete Mivos's album, titled The Garden of Diverging Paths. Check out Soper and Mivos performing the work in 2015 below.
Narrowing from large ensemble pieces to solo works, we're thrilled to feature percussionist Ian David Rosenbaum's solo album, Memory Palace, released on VisionIntoArt Records, the in-house label of Brooklyn venue National Sawdust. Memory Palace contains recordings of the eponymous 2012 work by Christopher Cerrone, as well as Timo Andres'Crashing Through Fences, which Rosenbaum originally commissioned and premiered in 2010. Check out a performance of Memory Palace at EMPAC below:
A Busy Weekend for Timo Andres
(Illustration by Dadu Shin for The New Yorker)
Timo Andres has had a busy run of recent performances across the country, including concerts in New York, Jacksonville, and Big Sur. On September 26th, Andres participated in a marathon performance of Erik Satie's Vexations—a four-line piece for solo piano that tells the performer to repeat it eight hundred and forty times. Among a roster that included Christian Wolff, Philip Corner, and David Del Tredici, Andres performed Vexations at 2.20am on September 27th, commenting to the New York Times that though he thinks about all music sculpturally, "vexations takes on a very dark presence".
Two days later, Andres' piano concerto The Blind Banister was performed by the Jacksonville Symphony featuring Jonathan Biss, for whom it was written and dedicated. A finalist for the 2016 Pulitzer Prize, The Blind Banister respnds to Beethoven's second piano concerto, and is part of Biss' Beethoven/5 project with the Saint Paul Chamber Orchestra, which asks composers to respond to Beethoven's piano concerti.
And to cap off the week, in idyllic Carmel-By-The-Sea, California, Andres performed his own piano music as a part of Philip Glass' "Days and Nights" Festival, in a program that also featured Claire Chase, Jennifer Curtis, Pauchi Sasaki, and the Philip Glass Ensemble. Andres has frequently performed with Glass, and has performed Glass' complete Piano Etudes around the world.