Composers
- Katherine Balch
- Marcos Balter
- Robert Beaser
- Gavin Bryars
- Richard Carrick
- Christopher Cerrone
- Anthony Cheung
- Ann Cleare
- Douglas J. Cuomo
- Anthony Davis
- James Díaz
- Mario Diaz de Leon
- Joe Duddell
- John Duffy
- David Felder
- David Brynjar Franzson
- Beat Furrer
- Erin Gee
- Annie Gosfield
- Michael Hersch
- Lee Hoiby
- Katherine Hoover
- Kamran Ince
- Vijay Iyer
- Pierre Jalbert
- Daniel Kidane
- Phil Kline
- Adrian Knight
- Mary Kouyoumdjian
- Joan La Barbara
- Han Lash
- Fred Lerdahl
- Lei Liang
- Wang Lu
- Keeril Makan
- Steve Martland
- Alex Mincek
- Andrew Norman
- Stephen Paulus
- George Perle
- Tobias Picker
- Matthias Pintscher
- Bernard Rands
- Katharina Rosenberger
- Huang Ruo
- Joseph Schwantner
- Howard Shore
- Wayne Shorter
- Alvin Singleton
- Stanislaw Skrowaczewski
- Elijah Daniel Smith
- Kate Soper
- Gregory Spears
- Morton Subotnick
- Dobrinka Tabakova
- Karen Tanaka
- Ken Ueno
- Stewart Wallace
- Shelley Washington
- Kurt Weill
- Scott Wollschleger
- Katherine Young
- Ellen Taaffe Zwilich
Blog Archive
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(11 posts)
- Alvin Singleton's "Sweet Chariot" at the National Museum of African American History & Culture
- Joan La Barbara Performs "Music for Merce" in Minneapolis & Chicago
- Praise for Kate Soper's "Ipsa Dixit"
- Æolus Quartet Performs Keeril Makan's "Washed by Fire"
- Mario Diaz de Leon Premieres "Sacrament" with Talea Ensemble
- Ann Cleare's "eyam v (woven)" Premieres at RTÉ National Symphony Orchestra
- Music from Copand House: Pierre Jalbert, "Secret Alchemy"
- Kettle Corn New Music Presents Scott Wollschleger's "Brontal Symmetry"
- Third Coast Percussion Premieres Christopher Cerrone's "Goldbeater's Skin"
- Anthony Cheung in Residency at 113 Composers Collective
- Kate Soper's "Ipsa Dixit" Premieres at Dixon Place
- ▼January (4 posts)
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- ▼November (6 posts)
- ▼October
(5 posts)
- Andrew Norman's "Play", Revised & Ready for Action at the LA Phil
- Ann Cleare's "eyam ii" Premiered by Argento Ensemble
- Contemporary Piano Video Library features Lei Liang's "Garden Eight"
- Ted Hearne's "The Source" in Los Angeles and San Francisco
- Ethan Iverson interviews Alvin Singleton on "Do The Math"
- ▼September
(6 posts)
- New Works by Kate Soper and Mario Diaz de Leon at the LA Phil
- Lerdahl and Carrick Performed by Sound Icon in Boston
- Yale Choral Artists Perform Hannah Lash's "Requiem"
- Ann Cleare's "Mire |...| Veins" at the Festival of New Trumpet Music
- Ted Hearne: Sounds from the Bench
- Erin Gee Featured at the Resonant Bodies Festival
- ▼August (1 posts)
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(6 posts)
- Lei Liang: Deriving Worlds
- Pierre Jalbert's "Howl" Recorded by Pro Arte Quartet
- Gregory Spears' "Fellow Travelers" Premieres at Cincinnati Opera
- New Releases of Morton Subotnick's Works for "Ghost Electronics"
- Timo Andres' "Comfort Food" in New York
- Anthony Cheung's "Dystemporal" Now Available from Wergo
- ▼May
(8 posts)
- Hannah Lash at the New York Philharmonic Biennial
- Jennifer Koh's "Shared Madness"
- World Premiere of Mario Diaz de Leon's "O Ignis Spiritus" by the TAK Ensemble
- Hannah Lash's "Beowulf" Premiered by Guerilla Opera
- Josh Modney in the PSNY Greenroom
- Alex Mincek: "On The Outside, Looking Out"
- Awards Season for PSNY Composers
- Upcoming Performances of Wollschleger, Cerrone
- ▼April (4 posts)
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(6 posts)
- Christopher Cerrone's "High Windows" on Q2 Music's "LPR Live" Podcast
- "In The Chamber" with Kamran Ince, Pierre Jalbert, and Christopher Cerrone
- Alex Mincek Portrait Concert at Miller Theatre
- Ted Hearne Premieres "Baby (an argument)" with Ensemble ACJW
- Kate Soper's OITOITOI Premiered by Ogni Suono Duo
- Marilyn Nonken Debuts Richard Carrick's "la touche sonore sous l'eau"
- ▼January
(7 posts)
- Kate Soper Profiled on NewMusicBox
- Timo Andres at the Phillips Collection
- Sleeping Giant at Carnegie Hall and Le Poisson Rouge
- Josh Modney Performs at Spectrum NYC
- Lei Liang Performed by the Mivos Quartet
- Gregory Oakes Performs Ken Ueno at the 2016 New Music Gathering
- PSNY Remembers John Duffy (1926-2015)
- ▼December (3 posts)
- ▼November
(7 posts)
- Ted Hearne's "Law of Mosaics" in Chicago; "The Source" CD Release
- "The Branch Will Not Break" at Present Music
- Two New Works by Timo Andres
- Soper, Lash, and Pintscher Performances on the East Coast
- Sound Icon Performs Ken Ueno's "Zetsu"
- Andrew Norman Premieres "Switch" at Utah Symphony
- PSNY Around America
- ▼October
(8 posts)
- New Works on PSNY: Wollschleger, Ueno and Cerrone
- New Works and Performances by Ann Cleare
- Hannah Lash Premieres Two Works with ACO and Ensemble Intercontemporain
- Keeril Makan's "Persona" Premieres at National Sawdust
- JACK Quartet and ACO Premiere New Alex Mincek Concerto
- Rufus Wainwright's "Prima Donna" on Deutsche Grammophon
- New Works by Timo Andres on PSNY
- Vijay Iyer Joins PSNY!
- ▼September (3 posts)
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- Opera News from PSNY Composers
- Introducing the PSNY Greenroom
- "Invisible Cities" named 2014 Pulitzer Prize Finalist!
- New Works from Evan Ziporyn, Lei Liang, René Leibowitz, Christopher Cerrone, and Hannah Lash
- The British Are Coming! To PSNY!
- A Keeril Makan Premiere, Conducted by Richard Carrick
- Tobias Picker on Tzadik Records
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Newsletter
Posts tagged 'Alex Ross'
PSNY Composers in Alex Ross' 2017 Top Ten Lists
As the year ends, critics are busy preparing their annual accountings of the very best music of 2017. Alex Ross, the classical music critic of The New Yorker, has deftly diversified his year-end top ten lists, counting his favorite notable performances and recordings from the year. At the top of these lists is Kate Soper'sIpsa Dixit, performed at Dixon Place on February 4th. Ross describes Soper as "one of the great originals of her generation—a maker of erudite entertainments that inhabit a self-invented realm halfway between opera and philosophy."
Next on Ross' list is Chaya Czernowin's opera, Infinite Now, which premiered on April 23rd at the Flemish Opera. Check out an interview with Czernowin about this work below.
Annie Gosfield's new adaptation of War of the Worlds, presented by the Los Angeles Philharmonic and narrated by Sigourney Weaver, also made it to Ross' list of notable performances. Check back soon for the full score of Gosfield's War of the Worlds on PSNY.
Ross has been a vocal proponent of the music of Scott Wollschleger, so it is no surprise that Wollschleger's recent album on New Focus Recordings, "Soft Aberration", made it to his top ten records of 2017. That album features many of Wollschleger's recent works, including Brontal Symmetry, Soft Aberration, Bring Something Incomprehensible Into This World, and String Quartet No. 2 "White Wall". Check out Brontal Symmetry below.
Last but not least on Ross' list of notable recordings is Gregory Spears' "Fellow Travelers", the very first recording produced and performed by the Cincinnati Opera. Three pieces from this opera—"I worry, that's all"; "Last Night"; and "Our Very Own Home"—are available from PSNY. See a concert performance of this last piece below.
Scott Wollschleger: New Works and Performances
"What kind of music would we create after everything was over?" Scott Wollschleger asks this crucial question in an interview on Arts & Letters, produced by the University of Arkansas' KUAR. In his monodrama for solo percussionist, We Have Taken and Eaten, Wollschleger creates music using a sonic language from "the dustbin of history." Wollschleger's music often theorizes and sonifies the presence of the not-quite-real, playing with time, gesture, and semiotic codes of tonality to evoke absence, silence, or non-being—what he often calls "dust." Two new works and two high-profile performances of Wollschleger's work in the coming weeks prove that more and more musicians are beginning to wonder about what happens "after".
(above score excert from "The Heart is No Place for War")
Ethan Iverson (of the noted trio The Bad Plus) recently wrote that "Wollschleger has become one of my favorite contemporary composers". On July 15th, from 5-10pm, he will perform a program in New York's Bryant Park, including Wollschleger's solo piano work, Music Without Metaphor, which has been recently published on PSNY. Wollschleger dedicated this piece to pianist Ivan Illić, who premiered it in 2013, calling it "beguiling" and "improvisatory". Check out Illić's recording below:
The very next day, pianist Karl Larson will perform Wollschleger's piano concerto Meditation on Dust at Mass MoCA, as a part of the Bang on a Can Summer Festival. Commissioned and premeired by Larson and the String Orchestra of Brooklyn in 2015, this piece imagines what a Strausian tone-poem would sound like after drying out in the desert for a thousand years. In this piece, tonality is granulated, rendered simultaneously present and absent, ephemeral. Check out a video of the premiere below:
Indeed, as Alex Ross writes, this weekend will be a "Wollschleger Moment". Wollschleger's The Heart is No Place for War, for two pianos and two vibraphones, asks the instrumentalists to time the work to their heartbeats; after hearing this piece, Ross wrote that Wollschleger has "become a formidable, individual presence." Check out the recording from the premiere at Brooklyn's Firehouse Space below: