Composers
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- Wang Lu
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- Steve Martland
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- Tobias Picker
- Matthias Pintscher
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- Katharina Rosenberger
- Huang Ruo
- Joseph Schwantner
- Howard Shore
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- Stanislaw Skrowaczewski
- Elijah Daniel Smith
- Kate Soper
- Gregory Spears
- Morton Subotnick
- Dobrinka Tabakova
- Karen Tanaka
- Ken Ueno
- Stewart Wallace
- Shelley Washington
- Kurt Weill
- Scott Wollschleger
- Katherine Young
- Ellen Taaffe Zwilich
Blog Archive
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- Alvin Singleton's "Sweet Chariot" at the National Museum of African American History & Culture
- Joan La Barbara Performs "Music for Merce" in Minneapolis & Chicago
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- Æolus Quartet Performs Keeril Makan's "Washed by Fire"
- Mario Diaz de Leon Premieres "Sacrament" with Talea Ensemble
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- Music from Copand House: Pierre Jalbert, "Secret Alchemy"
- Kettle Corn New Music Presents Scott Wollschleger's "Brontal Symmetry"
- Third Coast Percussion Premieres Christopher Cerrone's "Goldbeater's Skin"
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- Andrew Norman's "Play", Revised & Ready for Action at the LA Phil
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- Hannah Lash at the New York Philharmonic Biennial
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- Kate Soper Profiled on NewMusicBox
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- Ted Hearne's "Law of Mosaics" in Chicago; "The Source" CD Release
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- Opera News from PSNY Composers
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Newsletter
Posts tagged 'Tanglewood Festival of Contemporary Music'
Pierre Jalbert and Erin Gee at Tanglewood
Tanglewood's Festival of Contemporary Music celebrates its fifty-second year with a stunning roster of powerful American composers, this year including works by PSNY composers Pierre Jalbert and Erin Gee. Jalbert's Visual Abstract, commissioned by the Pittsburgh New Music Ensemble in 2002, melds sound and image into three movements that react to three ecstatic moments: the ringing of a church bell, the experience of looking up into a church's dome, and the image and movement of a group of dancers. It will be performed in Seiji Ozawa Hall on July 23rd. Check out Jalbert's Visual Abstract below:
Jalbert's Crossings will also be performed at Caramoor on July 22nd, in a program presented by Music from Copland House, which commissioned the piece in 2011.
On the same program as Jalbert's Visual Abstract, Erin Gee will premiere a new work, commisioned by Tanglewood, for voice, violin, viola, and double bass. Check out an excerpt for Gee's Mouthpiece below.
Mouthpiece I from Erin Gee on Vimeo.
PSNY Works at Summer Festivals
Ah, summer: when classical musicians and fans retreat to the country to enjoy music in the great outdoors. This year, across the country, festival orchestras are mixing time-honored performances of the classical repertoire with exciting new compositions from America's living composers, keeping their tradition vibrant and accessible to a new generation.
Chicago's Grant Park Music Festival brings music to all parts of the city, and on July 21st and 23rd they're presenting Douglas J. Cuomo's Kyrie both at the South Shore Cultural Center and the Columbus Park Refectory. Two arias from Cuomo's Doubt—The Boy's Nature and The Doubt Sermon— will aslo be premiered at the Jay Pritzker Pavilian at Millenium Park on July 22nd.
Back on the East Coast, the Tanglewood Festival of Contemporary Music book-ends its 2015 season with two works by George Perle— Critical Moments and Critical Moments II. Commissioned for the New York New Music Ensemble and Eighth Blackbird, respectively, these two short chamber works epitomize Perle's distinctively American take on Modernism.
In the rocky mountains of Colorado, the Aspen Music Festival presents Anthony Cheung's SynchroniCities on August 15th. A wide-ranging meditation on the commonalities between sound and setting, this "sonic travelogue" beautifully illustrates the power of music to unite aesthetic experiences between vastly different locations. With that in mind, those lucky enough to have already visited Aspen this year will have seen George Perle's Critical Moments II, along with Pierre Jalbert's Secret Alchemy, performed on a July 6th cocnert.
Finally, on the West Coast, Santa Cruz audiences will hear the world premiere of a new orchestral work by Hannah Lash, entitled Eating Flowers at this year's Cabrillo Festival, under the baton of Marin Alsop. This new orchestral work expresses Lash's "digestion" of the beautiful flowers of Late Romantic orchestral masterworks, metabolizing them into something unique and fitting for the 21st century.
PSNY Composers at the Tanglewood Festival of Contemporary Music
The Festival of Contemporary Music at Tanglewood is one of the highlights of the national concert season, regularly featuring stunning performances and premieres of the most exciting and provoking new music from contemporary composers. This year the festival comes a bit early, though we can't complain! PSNY composers can be found on nearly every program throughout the 5-day festival, which features chamber music, theatrical works, and orchestral works.
Starting things off on Thursday is Fred Lerdahl's Wake, for soprano and chamber ensemble; on Saturday, Keeril Makan's 2, Hannah Lash's Friction, Pressure, Impact, and Anthony Cheung's Roundabouts will be performed on the same program. Sunday morning sees the world premiere of Bernard Rands' Folk Songs, and later in the evening Kate Soper's Helen Enfettered, a theatrical work.
And for those in the Northeast this weekend, don't miss the latest production of Tobias Picker's An American Tragedy at Glimmerglass, running from July 20th to August 24th. The vocal score for this work is available from PSNY, in case you want to follow along from the house.