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Posts tagged 'National Sawdust'

PSNY Recent Recordings: Part II

We're continuing our celebration of recent recordings by PSNY composers this week, and that celebration begins with a landmark album for Anthony CheungDystemporal, a portrait CD released on Wergo in 2016. Containing six premiere recordings of works Cheung, Dystemporal is performed by the Talea Ensemble, which Cheung co-directs alongside percussionist Alex Lipowski, and Ensemble Intercontemporain. These works represent a formative period in Cheung's career, and this new recording presents a landmark document of his unique compositional voice. They include: SynchroniCities (2012) for 8 musicians with electronics; Windswept Cypresses (2005) for flute, viola, harp, percussion; Running the (Full) Gamut (2008) for piano; Centripedalocity (2008) for 7 musicians; Enjamb, Infuse, Implode (2006) for 6 musicians; and Dystemporal (2012) for 23 musicians.

Another PSNY composer also saw a major portrait CD released in 2016: Lei Liang, whose Luminous, released on New World Records, documents five recent compositions that explore his long-standing research into traditional Asian arts and music, and their incorporation into a contemporary music aesthetic. These works, performed by musicians and ensembles including Steven Schick, Daniel Schlosberg, Aleck Karis, Third Coast Percussion, the Formosa Quartet, and the Palimpsest Ensemble, include: Verge Quartet (2013) for string quartet; Trans (2013) for solo percussion; The moon is following us (2015) for solo piano; Inkscape (2014) for percussion ensemble and piano; and Luminous (2014) contrabass solo and ensemble. Check out a performance of Luminous below.

With the Mivos Quartet, Kate Soper recorded her work 2015 work Nadja, a three-song cycle sets texts by Alfred, Lord Tennyson, Ovid, and André Breton that incorporates the composer's own voice into the quartet. Released on New Focus Recordings, Nadja is accompanied by works by Taylor Brook and Andrew Greenwald to complete Mivos's album, titled The Garden of Diverging Paths. Check out Soper and Mivos performing the work in 2015 below. 

Narrowing from large ensemble pieces to solo works, we're thrilled to feature percussionist Ian David Rosenbaum's solo album, Memory Palace, released on VisionIntoArt Records, the in-house label of Brooklyn venue National Sawdust. Memory Palace contains recordings of the eponymous 2012 work by Christopher Cerrone, as well as Timo Andres'Crashing Through Fences, which Rosenbaum originally commissioned and premiered in 2010. Check out a performance of Memory Palace at EMPAC below: 

Vijay Iyer Performs with Jennifer Koh at National Sawdust

On March 31st, PSNY composer Vijay Iyer will perform on an all-star program at Brooklyn's National Sawdust that features Jennifer Koh, Tyshawn Sorey, Nina Young, and Du Yun. The program features premieres of new duos for Koh and their respective composers, in a commissioning program run by the arco collective called "Limitless." Iyer has already worked extensively with Koh, composing the violin concerto Trouble and writing Bridgetower Fantasy for her "Bridge to Beethoven" program.

For "Limitless", Koh seeks to address what Douglas Shadle calls the "burden of sameness" in American orchestral culture. In an interview with Steve Smith, Koh asks: 

My question is, why aren’t we doing more – or what can I do more, as an artist – to counteract what I see? What do we do within the industry, in terms of programming? I think finally people are now saying, “Hey, there’s no women on these programs,” whereas five years ago it was the same thing, except nobody was actually doing research. So the reason I created “Limitless” was because oftentimes people are just not seen, and not acknowledged. “Limitless” was about imagining a future in which people are seen, bringing us together and getting rid of the boundary between composer and performer, and really advocating for this new movement of community.

On March 31st, Koh and Iyer will continue to ask these questions—and to seek out the beginnings of an aswer. 

Kate Soper's "Here Be Sirens" Performed in Massachusetts and New York

Kate Soper'sHere Be Sirens has been hailed as "audacious, genre-bending music theatre", and is described by the composer as "an opera/theatre work that blends beautiful music, terrifying noise, screwball comedy, and Aristotelian tragedy." After two widely acclaimed stagings in 2014, Fresh Squeezed Opera will mount a new production directed by Amber Treadway, featuring sopranos Victoria Benson, Claire Myers McCormick, and Devony Smith. Before its performance at National Sawdust on January 28th, Fresh Squeezed Opera will also perform the work on January 12th at the I/O Fest at Williams College, where Soper will also herself perform George Lewis' 2011 work, Anthem, for ensemble. 

Fresh Squeezed Opera has previously performed a suite from Here Be Sirens at New York City's Lesbian, Gay, Bisexual & Transgender Community Center on a program of "nano-operas" in 2017. 

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