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Posts tagged 'Alex Mincek'

PSNY Recent Recordings: Part III

We're back with another post featuring recent recordings of works by PSNY composers. This round begins with Mario Diaz de Leon's  Sanctuary, a 2017 album performed by the TAK Ensemble, which contains a unified, album-length piece created in collaboration with the performers. Sanctuary continues Diaz de Leon's exploration of intensities—of timbre, including the extensive use of electronics alongside acoustic instruments and the human voice; of rhythm, contrasting the bubbling arpeggios of electronic instruments to the cycles of breath and bow; and of the expressive possibilities of melody, carefully interwoven between instruments and voices. As Seth Colter Walls wrote in the New York Times, "The edgy electronic timbres can serve a range of compositional functions: contrasting dramatically with the purity of a soprano’s sound, in one moment, before finding, in the bass clarinet, a partner in grain." Check out "Sanctuary" below. 

In 2017, Alex Mincek also released a major album that collects recordings of several recent works, entitled Torrent. Released by Sound AmericanTorrent includes recordings of several works performed by members of the Wet Ink Large Ensemble, Yarn/Wire, and the Mivos Quartet. These works were all composed in the past seven years, and include Pendulum VII, which is available from PSNY. Check out an excerpt below: 

Katharina Rosenberger also released a major album in 2017, Shift, performed by memebrs of Los Angeles's wasteLAnd and Rage Trombones (Matt Barbier & Weston Olencki). Released on famed expeirmental label HatHut records, Shift explores spatialization, long-form improvisation, and modularity, and was immaculately recorded by Tom Erbe at the University of California, San Diego. Check out an excerpt below.  

Scott Wollschleger's Soft Aberration, a major release on New Focus Records, collects beautiful performances of many of the composer's works, perfomed by soprano Corrine Byrne, trumpeter Andy Kozar, violist Anne Lanzilotti, cellist John Popham, pianist Karl Larson, Mivos Quartet, and Longleash trio. Check out an in-depth review at I Care If You Listen, which praises Wollschleger's works such as Soft Aberration, Brontal Symmetry, Bring Something Incomprehensible Into This World!, America, and String Quarter No. 2 "White Wall."

And finally on this roundup of dedicated composer portrait albums, we're pleased to feature The Music of Fred Lerdahl, Volume 5, released on Bridge Records. The four performances on this album present works from Lerdahl's long career, including Episodes & Refrains (1982), Quiet Music (1994 arr. 2001), Times 3 (2012), and Time and Again (2014). Check out an excerpt of Quiet Music below.

Wet Ink Opens 19th Season with Works by Alex Mincek

Wet Ink opens their nineteenth season of performances with a concert that extensively features the work of their current Artistic Director and PSNY composer Alex Mincek. The concert, on September 26th at Scholes Street Studio, celebrates the release of Torrent, Mincek's latest album, which inaugurated Sound American's Young Composer Portrait series. We wrote previously on the blog about this album release, which coincided with a special issue of Sound American entirely dedicated to Mincek's music, including an extensive profile by George Grella

Torrent includes recordings of several works performed by members of the Wet Ink Large Ensemble, Yarn/Wire, and the Mivos Quartet. These works were all composed in the past seven years, and include Pendulum VII, which is available from PSNY. Check out an excerpt below: 

To celebrate this new album, Mincek will see the premiere of new pieces from his ongoing Harmonielehre cycle for violin and piano, written specificaly for Wet Ink's Joshua Modney and Eric Wubbels, who will be performing alongside other members of Wet Ink. String Noise, comprised of Conrad Harris and Pauline Kim, will perform Mincek's new violin duo, and experimental trumpeter Nate Wooley will perform works by Anthony Braxton with other musicians from Wet Ink. 

Ann Cleare & Alex Mincek in ICE's "Animal Behaviors"


(Ryan Muncy, saxophonist)

The International Contemporary Ensemble (ICE) consists of some of the best instrumentalists in contemporary music, who regularly champion ensemble works by some of the most fascinating composers of our time. In a free "pop-up" concert at Columbia's Miller Theatre on June 6th, members of ICE will split off to perform solo and duo works that dig into the sonic profiles of individual instruments and players, in a program titled "ICE: Animal Behaviors". 

ICE saxophonist Ryan Muncy will perform Ann Cleare's luna (the eye that opens the other eye) for alto saxophone, as well as Alex Mincek's Pendulum III, for alto saxophone and piano, alongside pianist Jacob Greenberg. In Cleare's luna, the composer writes that "the saxophone should be thought of as a dragonfly with eyes so big they cover almost its entire head, giving it a helmeted appeaance and a full 360-degree field of vision." Check out a recording below. 

ICE and Cleare will return to the Miller Theatre in 2018 with a Composer Portrait concert, featuring a newly-commissioned work, two world premieres, and performances of the square of yellow light that is your window and dorchadas

Mincek's Pendulum IIIis an early entry in the composer's Pendulum series, in which musical material oscillates between two poles, accellerating, decelerating, reaching tipping points, and repeating. Check out a 2015 recording by Michael Ibrahim and Ron Stabinsky below. 

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