Composers
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- Huang Ruo
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- Howard Shore
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- Stanislaw Skrowaczewski
- Elijah Daniel Smith
- Kate Soper
- Gregory Spears
- Morton Subotnick
- Dobrinka Tabakova
- Karen Tanaka
- Ken Ueno
- Stewart Wallace
- Shelley Washington
- Kurt Weill
- Scott Wollschleger
- Katherine Young
- Ellen Taaffe Zwilich
Blog Archive
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- Alvin Singleton's "Sweet Chariot" at the National Museum of African American History & Culture
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- Praise for Kate Soper's "Ipsa Dixit"
- Æolus Quartet Performs Keeril Makan's "Washed by Fire"
- Mario Diaz de Leon Premieres "Sacrament" with Talea Ensemble
- Ann Cleare's "eyam v (woven)" Premieres at RTÉ National Symphony Orchestra
- Music from Copand House: Pierre Jalbert, "Secret Alchemy"
- Kettle Corn New Music Presents Scott Wollschleger's "Brontal Symmetry"
- Third Coast Percussion Premieres Christopher Cerrone's "Goldbeater's Skin"
- Anthony Cheung in Residency at 113 Composers Collective
- Kate Soper's "Ipsa Dixit" Premieres at Dixon Place
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- Andrew Norman's "Play", Revised & Ready for Action at the LA Phil
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- Contemporary Piano Video Library features Lei Liang's "Garden Eight"
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- New Works by Kate Soper and Mario Diaz de Leon at the LA Phil
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- Ann Cleare's "Mire |...| Veins" at the Festival of New Trumpet Music
- Ted Hearne: Sounds from the Bench
- Erin Gee Featured at the Resonant Bodies Festival
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- Lei Liang: Deriving Worlds
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- New Releases of Morton Subotnick's Works for "Ghost Electronics"
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- Anthony Cheung's "Dystemporal" Now Available from Wergo
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(8 posts)
- Hannah Lash at the New York Philharmonic Biennial
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- World Premiere of Mario Diaz de Leon's "O Ignis Spiritus" by the TAK Ensemble
- Hannah Lash's "Beowulf" Premiered by Guerilla Opera
- Josh Modney in the PSNY Greenroom
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- Awards Season for PSNY Composers
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- Christopher Cerrone's "High Windows" on Q2 Music's "LPR Live" Podcast
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- Alex Mincek Portrait Concert at Miller Theatre
- Ted Hearne Premieres "Baby (an argument)" with Ensemble ACJW
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- Marilyn Nonken Debuts Richard Carrick's "la touche sonore sous l'eau"
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(7 posts)
- Kate Soper Profiled on NewMusicBox
- Timo Andres at the Phillips Collection
- Sleeping Giant at Carnegie Hall and Le Poisson Rouge
- Josh Modney Performs at Spectrum NYC
- Lei Liang Performed by the Mivos Quartet
- Gregory Oakes Performs Ken Ueno at the 2016 New Music Gathering
- PSNY Remembers John Duffy (1926-2015)
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- Ted Hearne's "Law of Mosaics" in Chicago; "The Source" CD Release
- "The Branch Will Not Break" at Present Music
- Two New Works by Timo Andres
- Soper, Lash, and Pintscher Performances on the East Coast
- Sound Icon Performs Ken Ueno's "Zetsu"
- Andrew Norman Premieres "Switch" at Utah Symphony
- PSNY Around America
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- New Works on PSNY: Wollschleger, Ueno and Cerrone
- New Works and Performances by Ann Cleare
- Hannah Lash Premieres Two Works with ACO and Ensemble Intercontemporain
- Keeril Makan's "Persona" Premieres at National Sawdust
- JACK Quartet and ACO Premiere New Alex Mincek Concerto
- Rufus Wainwright's "Prima Donna" on Deutsche Grammophon
- New Works by Timo Andres on PSNY
- Vijay Iyer Joins PSNY!
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- Opera News from PSNY Composers
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- A Keeril Makan Premiere, Conducted by Richard Carrick
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Newsletter
Posts tagged 'Alex Mincek'
Alex Mincek's "Images of Duration" [In Homage to Ellsworth Kelly]" Released on Northern Spy Records
Alex Mincek has long been interested in how humans percieve sound, and how to craft music that plays with perceptual shifts—from slight to drastic. Images of Duration, released recently on Northern Spy Records, continues this compositional thread through elements both monumental and minute: two pianos, tuned 1/4 tone apart, are accompanied by a vast array of ad hoc percussion instruments, performing an hour-long piece that is full of doubles: flatness and dynamism, shallowness and profound depth, slowness and extreme speed.
Masterfully performed by Yarn/Wire, for whom Mincek composed the work between 2015–2018, Images of Duration is a composition of long duration that is divided into eight sections, each of which presents listeners with new possibiilties for attention, perception, and reaction to sound. Titled with visual descriptors of form and color, these sections present dramatic contrasts in the dimensions of pitch, rhythm, timbre, and dynamics, and yet also maintain a consistent arc throughout the work as a whole. Stream the recording below!
PSNY Recent Recordings: Part III
We're back with another post featuring recent recordings of works by PSNY composers. This round begins with Mario Diaz de Leon's Sanctuary, a 2017 album performed by the TAK Ensemble, which contains a unified, album-length piece created in collaboration with the performers. Sanctuary continues Diaz de Leon's exploration of intensities—of timbre, including the extensive use of electronics alongside acoustic instruments and the human voice; of rhythm, contrasting the bubbling arpeggios of electronic instruments to the cycles of breath and bow; and of the expressive possibilities of melody, carefully interwoven between instruments and voices. As Seth Colter Walls wrote in the New York Times, "The edgy electronic timbres can serve a range of compositional functions: contrasting dramatically with the purity of a soprano’s sound, in one moment, before finding, in the bass clarinet, a partner in grain." Check out "Sanctuary" below.
In 2017, Alex Mincek also released a major album that collects recordings of several recent works, entitled Torrent. Released by Sound American, Torrent includes recordings of several works performed by members of the Wet Ink Large Ensemble, Yarn/Wire, and the Mivos Quartet. These works were all composed in the past seven years, and include Pendulum VII, which is available from PSNY. Check out an excerpt below:
Katharina Rosenberger also released a major album in 2017, Shift, performed by memebrs of Los Angeles's wasteLAnd and Rage Trombones (Matt Barbier & Weston Olencki). Released on famed expeirmental label HatHut records, Shift explores spatialization, long-form improvisation, and modularity, and was immaculately recorded by Tom Erbe at the University of California, San Diego. Check out an excerpt below.
Scott Wollschleger's Soft Aberration, a major release on New Focus Records, collects beautiful performances of many of the composer's works, perfomed by soprano Corrine Byrne, trumpeter Andy Kozar, violist Anne Lanzilotti, cellist John Popham, pianist Karl Larson, Mivos Quartet, and Longleash trio. Check out an in-depth review at I Care If You Listen, which praises Wollschleger's works such as Soft Aberration, Brontal Symmetry, Bring Something Incomprehensible Into This World!, America, and String Quarter No. 2 "White Wall."
And finally on this roundup of dedicated composer portrait albums, we're pleased to feature The Music of Fred Lerdahl, Volume 5, released on Bridge Records. The four performances on this album present works from Lerdahl's long career, including Episodes & Refrains (1982), Quiet Music (1994 arr. 2001), Times 3 (2012), and Time and Again (2014). Check out an excerpt of Quiet Music below.
Wet Ink Opens 19th Season with Works by Alex Mincek
Wet Ink opens their nineteenth season of performances with a concert that extensively features the work of their current Artistic Director and PSNY composer Alex Mincek. The concert, on September 26th at Scholes Street Studio, celebrates the release of Torrent, Mincek's latest album, which inaugurated Sound American's Young Composer Portrait series. We wrote previously on the blog about this album release, which coincided with a special issue of Sound American entirely dedicated to Mincek's music, including an extensive profile by George Grella.
Torrent includes recordings of several works performed by members of the Wet Ink Large Ensemble, Yarn/Wire, and the Mivos Quartet. These works were all composed in the past seven years, and include Pendulum VII, which is available from PSNY. Check out an excerpt below:
To celebrate this new album, Mincek will see the premiere of new pieces from his ongoing Harmonielehre cycle for violin and piano, written specificaly for Wet Ink's Joshua Modney and Eric Wubbels, who will be performing alongside other members of Wet Ink. String Noise, comprised of Conrad Harris and Pauline Kim, will perform Mincek's new violin duo, and experimental trumpeter Nate Wooley will perform works by Anthony Braxton with other musicians from Wet Ink.