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Information Regarding COVID-19

Our New York City office remains closed to protect the health and safety of all of our employees. During this time, we are doing everything possible to minimize disruptions to our daily operations. All employees are working remotely and remain fully contactable. If you have had to cancel or postpone a performance of a work from our catalogue, or are considering live streaming performances or streaming archival material, we are prepared to assist you in facilitating changes. Please direct all questions or concerns to rental@eamdc.com.

Please note:

  • All materials from canceled or completed performances should be returned to our Verona, New Jersey library only.
  • Please do not return materials to our New York office. Unfortunately, we cannot be responsible for lost materials that are returned to our New York office while it is closed. If materials are lost, we will have to charge the full replacement value.

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Adrian Knight's "Obsessions"

Adrian Knight's music is not afraid of dwelling. Knight composes music that stays, explores, and perhaps expands the associations that music previously had into new ways of being in the world. Not afraid of long-form, iterative compositions, Knight has composed sonic meditations for a vareity of instruments—including string quartet, piano and electronics, and the guitar-percussion duo The Living Earth Show

The pianist R. Andrew Lee was perhaps a natural fit for Knight's interest in long-form, evolving treatments of sonic space. Lee's recent commissioning project seeks to expand the repertoire for solo piano of compositions that are 45 minutes or longer—a rarity in a musical landscape dominated by short, easily digestible new pieces of music. Instead, Lee's commissions seek to dominate a concert program, or serve as the basis for single recording projects.

Knight's piece for Lee, Obsessions, has recently been released by Irritable Hedgehog recordings, and is freely available for streaming at I CARE IF YOU LISTEN. In the liner notes to the album, William Robin writes, 

“Obsessions” is at once abstract and deeply felt. The compulsive repetitions of the music sound, at times, less peaceful than indignant, irritated, regretful. As Knight remarked, “It’s probably my most personal piece, because, like life, its trajectory wasn’t predetermined. All I knew was that it would have to end.” 

Lee will perform Obsessions on March 2nd in Brooklyn at Roulette, and on March 4th in Boston at the Goethe-Institut

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