Composers
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- Kate Soper
- Gregory Spears
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- Dobrinka Tabakova
- Karen Tanaka
- Ken Ueno
- Stewart Wallace
- Shelley Washington
- Kurt Weill
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- Katherine Young
- Ellen Taaffe Zwilich
Blog Archive
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- Alvin Singleton's "Sweet Chariot" at the National Museum of African American History & Culture
- Joan La Barbara Performs "Music for Merce" in Minneapolis & Chicago
- Praise for Kate Soper's "Ipsa Dixit"
- Æolus Quartet Performs Keeril Makan's "Washed by Fire"
- Mario Diaz de Leon Premieres "Sacrament" with Talea Ensemble
- Ann Cleare's "eyam v (woven)" Premieres at RTÉ National Symphony Orchestra
- Music from Copand House: Pierre Jalbert, "Secret Alchemy"
- Kettle Corn New Music Presents Scott Wollschleger's "Brontal Symmetry"
- Third Coast Percussion Premieres Christopher Cerrone's "Goldbeater's Skin"
- Anthony Cheung in Residency at 113 Composers Collective
- Kate Soper's "Ipsa Dixit" Premieres at Dixon Place
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(5 posts)
- Andrew Norman's "Play", Revised & Ready for Action at the LA Phil
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- Contemporary Piano Video Library features Lei Liang's "Garden Eight"
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(6 posts)
- New Works by Kate Soper and Mario Diaz de Leon at the LA Phil
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- Yale Choral Artists Perform Hannah Lash's "Requiem"
- Ann Cleare's "Mire |...| Veins" at the Festival of New Trumpet Music
- Ted Hearne: Sounds from the Bench
- Erin Gee Featured at the Resonant Bodies Festival
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- Lei Liang: Deriving Worlds
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(8 posts)
- Hannah Lash at the New York Philharmonic Biennial
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- World Premiere of Mario Diaz de Leon's "O Ignis Spiritus" by the TAK Ensemble
- Hannah Lash's "Beowulf" Premiered by Guerilla Opera
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- Alex Mincek Portrait Concert at Miller Theatre
- Ted Hearne Premieres "Baby (an argument)" with Ensemble ACJW
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- Marilyn Nonken Debuts Richard Carrick's "la touche sonore sous l'eau"
- ▼January
(7 posts)
- Kate Soper Profiled on NewMusicBox
- Timo Andres at the Phillips Collection
- Sleeping Giant at Carnegie Hall and Le Poisson Rouge
- Josh Modney Performs at Spectrum NYC
- Lei Liang Performed by the Mivos Quartet
- Gregory Oakes Performs Ken Ueno at the 2016 New Music Gathering
- PSNY Remembers John Duffy (1926-2015)
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(7 posts)
- Ted Hearne's "Law of Mosaics" in Chicago; "The Source" CD Release
- "The Branch Will Not Break" at Present Music
- Two New Works by Timo Andres
- Soper, Lash, and Pintscher Performances on the East Coast
- Sound Icon Performs Ken Ueno's "Zetsu"
- Andrew Norman Premieres "Switch" at Utah Symphony
- PSNY Around America
- ▼October
(8 posts)
- New Works on PSNY: Wollschleger, Ueno and Cerrone
- New Works and Performances by Ann Cleare
- Hannah Lash Premieres Two Works with ACO and Ensemble Intercontemporain
- Keeril Makan's "Persona" Premieres at National Sawdust
- JACK Quartet and ACO Premiere New Alex Mincek Concerto
- Rufus Wainwright's "Prima Donna" on Deutsche Grammophon
- New Works by Timo Andres on PSNY
- Vijay Iyer Joins PSNY!
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- Opera News from PSNY Composers
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- A Keeril Makan Premiere, Conducted by Richard Carrick
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Newsletter
Kate Soper Awarded Marie-Josée Kravis Emerging Composer Prize by the New York Philharmonic
We are delighted to announce that Kate Soper has been named the Kravis Emerging Composer by the New York Philharmonic. This honor was bestowed as part of The Marie-Josée Kravis Prize for New Music, awarded this year to fellow American composers David Lang and Missy Mazzoli. As the 2024 Kravis Emerging Composer, Soper receives a $50,000 stipend, including a commission to compose a new work that the Philharmonic will premiere in May 2025 conducted by Gustavo Dudamel. Funding for both honors comes from a $10 million gift to the New York Philharmonic in 2009 by Henry R. Kravis in honor of his wife, Marie-Josée, for whom the Prize is named.
Marie-Josée Kravis noted: “The 2024 recipients of the Prize and the Emerging Composer are remarkable for the collective range they represent. Each composer’s unique voice and approach to composition will tap into the potential of the New York Philharmonic in distinctive and unexpected ways. Their selection fulfills our hopes in creating these honors: to establish a platform for vibrant works that will catalyze excitement around new music. I look forward to hearing Kate Soper perform in her new work this spring, and to discovering what David Lang and Missy Mazzoli devise when their compositions are premiered in the coming seasons.”
Norman Ryan, Vice President for Composers and Repertoire at Schott New York said: "We are thrilled that Kate Soper has been named the recipient of New York Philharmonic's Marie-Josée Kravis Emerging Composer Prize. My first exposure to Kate's unique voice as both composer and vocalist was at the premiere of her Only the Words Themselves Mean What They Say, which she performed with flutist Erin Lesser in 2011. This was followed shortly after by Here Be Sirens and Ipsa Dixit, sui generis works that defy categorization, and most recently her brilliant chamber opera The Romance of the Rose. As the recipient of the Kravis Emerging Composer Prize, Kate has the opportunity to create on a large canvas and explore the myriad possibilities of the great instrument that is the orchestra in a meta-theatrical way. We look forward to the premiere of her new work in May."
About Kate Soper
Kate Soper has been creating unique and uncategorizable musico-theatrical spectacles for over a decade. Her large-scale works include the monodramas Voices from the Killing Jar (2012) and IPSA DIXIT (2017) and the operas with original librettos Here Be Sirens (2014), The Romance of the Rose (2021), and The Hunt (2023). A Pulitzer Prize finalist, Soper has received awards and fellowships from the Guggenheim and Koussevitzky Foundations, the American Academy of Arts and Letters, and the American Academy in Rome. As a vocalist, she performs frequently in her own works and has also given U.S. and world premieres of works by Rick Burkhardt, Beat Furrer, George Lewis, Darius Jones, Sky MacClay, Alex Mincek, Katharina Rosenberger, Eric Wubbels, and others. Soper is a co-director and performer for Wet Ink, a new music ensemble dedicated to adventurous music-making across aesthetic boundaries.
Don't miss the world premiere of Kate Soper's new work for the New York Philharmonic, Orpheus Orchestra Opus Onus, led by Gustavo Dudamel and featuring the composer as vocal soloist, May 22-24 & 27. Tickets are available here.
To learn more about Kate Soper, and to purchase her music from Project Schott NY (PSNY), click here.