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Information Regarding COVID-19

Our New York City office remains closed to protect the health and safety of all of our employees. During this time, we are doing everything possible to minimize disruptions to our daily operations. All employees are working remotely and remain fully contactable. If you have had to cancel or postpone a performance of a work from our catalogue, or are considering live streaming performances or streaming archival material, we are prepared to assist you in facilitating changes. Please direct all questions or concerns to

Please note:

  • All materials from canceled or completed performances should be returned to our Verona, New Jersey library only.
  • Please do not return materials to our New York office. Unfortunately, we cannot be responsible for lost materials that are returned to our New York office while it is closed. If materials are lost, we will have to charge the full replacement value.

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Blog Archive



Posts tagged 'world premiere'

A Keeril Makan Premiere, Conducted by Richard Carrick

Boston has always been a strong home for new music, and this weekend, across the Charles River, MIT hosts the world premiere of Keeril Makan's Letting Time Circle Through Us, for percussion, cimbalom, acoustic guitar, piano, violin, and cello. Makan's meditative, crystalline music has been recorded by ICE, the Kronos Quartet, and the Either/Or Ensemble-- and on Saturday, April 5th, fellow PSNY composer Richard Carrick leads the Either/Or ensemble in the performance of Makan's new piece. No stranger to performing Makan's work, Either/Or has recorded several of his works, and are a Visiting Artist ensemble at MIT for the 2013-2014 season. Check out some of our favorite works be Keeril Makan over at his Soundcloud page

Richard Carrick is also releasing a new CD on New Focus Recordings of compositions for solo electric guitar, entitled Stone Guitars. A preview of material on the forthcoming album can be seen below. 




Lei Liang Premieres Collaborative Opera; New Works from Andrew Norman and Joseph Schwantner!

Fans of New Music, performers, conductors, devoted PSNY Blog readers-- did you miss us? A few ways to excuse our relative silence: springtime is finally here; we've been going to too many concerts; and, of course, we've been busy preparing tons of new work for publication! 

For Andrew Norman fans (and really, who isn't a fan of Andrew?), we have a newly-published study score for his recently-premiered work, Music in Circles III, which premiered to rave reviews at Los Angeles' Brooklyn Festival last month. Music in Circles III was commissioned by the Los Angeles Chamber Orchestra as a part of their "Sound Investment" project, funded by audience members and awarded annually to a rising composer. (2014's Sound Investment, by the way, has been awarded to Hannah Lash! So keep your eyes out this time next year!).

Joseph Schwantner's Angelfire, for amplified violin and orchestra, is also now available as a full score. Originally commissioned for Anne Akiko Meyers, this piece has been recorded on Hyperion and remains a theatrical favorite of the solo violin repertoire. We're also pleased to make available the full score to Taking Charge, for Flute/Piccolo, Percussion, and Piano. Taking Charge premiered in 2012 at Northwestern's Bienen School of Music; a full video recording of the premiere can be seen here

Lei Liang is taking part in a collaborative chamber opera project, Cuatro Corridos, which addresses human trafficking, one of the most pressing human rights issues of our time. Cuatro Corridos was spearheaded by soprano Susan Narucki and author Jorge Volpi, and has had support from the Yellow Barn Foundation, the UCSD Department of Music, UC Mexis and the MAP Fund. It brings together four composers, including Lei Liang, each to write one of four acts, which tell the story of women trapped in a cycle of prostitution and slavery in the San Diego/Tijuana border area. Lei has written a blog post about his own experience with human trafficking as an Chinese ex-pat living in America, and we greatly look forward to hearing his contribution to this important work. The World Premiere takes place on May 8th at the Conrad Prebys Music Center's Experimental Theater on the UCSD Campus, and performances run until May 11th. Tickets can be purchased here


Go Get'em, Timo & Andrew!

PSNY Composer Timothy Andres is currently in Los Angeles for a string of performances this week and next: two with the Los Angeles Chamber Orchestra and one with wild Up, a modern music collective. The LACO concerts look great: one a world premiere of "Old Keys," commissioned by LACO's Sound Investment; the other a performance of his solo piano work, "Sorbet" (which you can conveniently purchase on this site!). 

Curiously, wild Up's concert is themed "Brooklyn vs. Los Angeles." While we're not at all biased (although most of our office lives in Brooklyn), we'll have another pinch-hitter on the Brooklyn roster: Andrew Norman, proud resident of Bed-Stuy. I'm not exactly sure how the judging will work, but it looks like it'll be a good concert regardless. (Sadly, my fantasies of an Iron Chef-style composer competition will probably not come to fruition.) But with Andres and Norman on one side, the odds might be slightly stacked....


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