Composers
- Katherine Balch
- Marcos Balter
- Robert Beaser
- Gavin Bryars
- Richard Carrick
- Christopher Cerrone
- Anthony Cheung
- Ann Cleare
- Douglas J. Cuomo
- Anthony Davis
- James Díaz
- Mario Diaz de Leon
- Joe Duddell
- John Duffy
- David Felder
- David Brynjar Franzson
- Beat Furrer
- Erin Gee
- Annie Gosfield
- Michael Hersch
- Lee Hoiby
- Katherine Hoover
- Kamran Ince
- Vijay Iyer
- Pierre Jalbert
- Daniel Kidane
- Phil Kline
- Adrian Knight
- Mary Kouyoumdjian
- Joan La Barbara
- Han Lash
- Fred Lerdahl
- Lei Liang
- Wang Lu
- Keeril Makan
- Steve Martland
- Alex Mincek
- Andrew Norman
- Stephen Paulus
- George Perle
- Tobias Picker
- Matthias Pintscher
- Bernard Rands
- Katharina Rosenberger
- Huang Ruo
- Joseph Schwantner
- Howard Shore
- Wayne Shorter
- Alvin Singleton
- Stanislaw Skrowaczewski
- Elijah Daniel Smith
- Kate Soper
- Gregory Spears
- Morton Subotnick
- Dobrinka Tabakova
- Karen Tanaka
- Ken Ueno
- Stewart Wallace
- Shelley Washington
- Kurt Weill
- Scott Wollschleger
- Katherine Young
- Ellen Taaffe Zwilich
Blog Archive
20232022202120202019- ▼September (1 posts)
- ▼July (3 posts)
- ▼June (2 posts)
- ▼May (2 posts)
- ▼March (1 posts)
- ▼February (1 posts)
- ▼January (2 posts)
- ▼December (2 posts)
- ▼November (2 posts)
- ▼October (2 posts)
- ▼September (2 posts)
- ▼June (1 posts)
- ▼May (2 posts)
- ▼April (2 posts)
- ▼March (2 posts)
- ▼January (1 posts)
- ▼December (2 posts)
- ▼November (2 posts)
- ▼October (3 posts)
- ▼September (2 posts)
- ▼July (1 posts)
- ▼June (3 posts)
- ▼May (4 posts)
- ▼April (4 posts)
- ▼March (5 posts)
- ▼February
(11 posts)
- Alvin Singleton's "Sweet Chariot" at the National Museum of African American History & Culture
- Joan La Barbara Performs "Music for Merce" in Minneapolis & Chicago
- Praise for Kate Soper's "Ipsa Dixit"
- Æolus Quartet Performs Keeril Makan's "Washed by Fire"
- Mario Diaz de Leon Premieres "Sacrament" with Talea Ensemble
- Ann Cleare's "eyam v (woven)" Premieres at RTÉ National Symphony Orchestra
- Music from Copand House: Pierre Jalbert, "Secret Alchemy"
- Kettle Corn New Music Presents Scott Wollschleger's "Brontal Symmetry"
- Third Coast Percussion Premieres Christopher Cerrone's "Goldbeater's Skin"
- Anthony Cheung in Residency at 113 Composers Collective
- Kate Soper's "Ipsa Dixit" Premieres at Dixon Place
- ▼January (4 posts)
- ▼December (4 posts)
- ▼November (6 posts)
- ▼October
(5 posts)
- Andrew Norman's "Play", Revised & Ready for Action at the LA Phil
- Ann Cleare's "eyam ii" Premiered by Argento Ensemble
- Contemporary Piano Video Library features Lei Liang's "Garden Eight"
- Ted Hearne's "The Source" in Los Angeles and San Francisco
- Ethan Iverson interviews Alvin Singleton on "Do The Math"
- ▼September
(6 posts)
- New Works by Kate Soper and Mario Diaz de Leon at the LA Phil
- Lerdahl and Carrick Performed by Sound Icon in Boston
- Yale Choral Artists Perform Hannah Lash's "Requiem"
- Ann Cleare's "Mire |...| Veins" at the Festival of New Trumpet Music
- Ted Hearne: Sounds from the Bench
- Erin Gee Featured at the Resonant Bodies Festival
- ▼August (1 posts)
- ▼July (6 posts)
- ▼June
(6 posts)
- Lei Liang: Deriving Worlds
- Pierre Jalbert's "Howl" Recorded by Pro Arte Quartet
- Gregory Spears' "Fellow Travelers" Premieres at Cincinnati Opera
- New Releases of Morton Subotnick's Works for "Ghost Electronics"
- Timo Andres' "Comfort Food" in New York
- Anthony Cheung's "Dystemporal" Now Available from Wergo
- ▼May
(8 posts)
- Hannah Lash at the New York Philharmonic Biennial
- Jennifer Koh's "Shared Madness"
- World Premiere of Mario Diaz de Leon's "O Ignis Spiritus" by the TAK Ensemble
- Hannah Lash's "Beowulf" Premiered by Guerilla Opera
- Josh Modney in the PSNY Greenroom
- Alex Mincek: "On The Outside, Looking Out"
- Awards Season for PSNY Composers
- Upcoming Performances of Wollschleger, Cerrone
- ▼April (4 posts)
- ▼March (6 posts)
- ▼February
(6 posts)
- Christopher Cerrone's "High Windows" on Q2 Music's "LPR Live" Podcast
- "In The Chamber" with Kamran Ince, Pierre Jalbert, and Christopher Cerrone
- Alex Mincek Portrait Concert at Miller Theatre
- Ted Hearne Premieres "Baby (an argument)" with Ensemble ACJW
- Kate Soper's OITOITOI Premiered by Ogni Suono Duo
- Marilyn Nonken Debuts Richard Carrick's "la touche sonore sous l'eau"
- ▼January
(7 posts)
- Kate Soper Profiled on NewMusicBox
- Timo Andres at the Phillips Collection
- Sleeping Giant at Carnegie Hall and Le Poisson Rouge
- Josh Modney Performs at Spectrum NYC
- Lei Liang Performed by the Mivos Quartet
- Gregory Oakes Performs Ken Ueno at the 2016 New Music Gathering
- PSNY Remembers John Duffy (1926-2015)
- ▼December (3 posts)
- ▼November
(7 posts)
- Ted Hearne's "Law of Mosaics" in Chicago; "The Source" CD Release
- "The Branch Will Not Break" at Present Music
- Two New Works by Timo Andres
- Soper, Lash, and Pintscher Performances on the East Coast
- Sound Icon Performs Ken Ueno's "Zetsu"
- Andrew Norman Premieres "Switch" at Utah Symphony
- PSNY Around America
- ▼October
(8 posts)
- New Works on PSNY: Wollschleger, Ueno and Cerrone
- New Works and Performances by Ann Cleare
- Hannah Lash Premieres Two Works with ACO and Ensemble Intercontemporain
- Keeril Makan's "Persona" Premieres at National Sawdust
- JACK Quartet and ACO Premiere New Alex Mincek Concerto
- Rufus Wainwright's "Prima Donna" on Deutsche Grammophon
- New Works by Timo Andres on PSNY
- Vijay Iyer Joins PSNY!
- ▼September (3 posts)
- ▼August (1 posts)
- ▼July (2 posts)
- ▼June (3 posts)
- ▼May (4 posts)
- ▼April (6 posts)
- ▼March (4 posts)
- ▼February (5 posts)
- ▼January (5 posts)
- ▼December (2 posts)
- ▼November (6 posts)
- ▼October (4 posts)
- ▼September (3 posts)
- ▼August (2 posts)
- ▼July (2 posts)
- ▼June (1 posts)
- ▼May (3 posts)
- ▼April
(7 posts)
- Opera News from PSNY Composers
- Introducing the PSNY Greenroom
- "Invisible Cities" named 2014 Pulitzer Prize Finalist!
- New Works from Evan Ziporyn, Lei Liang, René Leibowitz, Christopher Cerrone, and Hannah Lash
- The British Are Coming! To PSNY!
- A Keeril Makan Premiere, Conducted by Richard Carrick
- Tobias Picker on Tzadik Records
- ▼March (3 posts)
- ▼February (4 posts)
- ▼January (3 posts)
- ▼December (3 posts)
- ▼November (3 posts)
- ▼October (5 posts)
- ▼September (5 posts)
- ▼August (2 posts)
- ▼July (2 posts)
- ▼June (4 posts)
- ▼May (3 posts)
- ▼April (2 posts)
- ▼March (2 posts)
- ▼February (3 posts)
- ▼January (3 posts)
- ▼December (2 posts)
- ▼November (2 posts)
- ▼October (4 posts)
- ▼September (3 posts)
- ▼August (1 posts)
- ▼July (1 posts)
- ▼June (1 posts)
- ▼May (1 posts)
- ▼April (2 posts)
- ▼March (2 posts)
- ▼February (1 posts)
- ▼January (2 posts)
Newsletter
Posts tagged 'Symphony Magazine'
Ann Cleare Featured in Symphony Magazine
PSNY Composer Ann Cleare has been featured on the cover of Symphony Magazine, published by the League of American Orchestras, in a feature article on Emerging Composers. Also mentioned in the article, written by NewMusicBox's Frank Oteri, are Timo Andres, Adrian Knight, Chris Cerrone, and Hannah Lash.
The ELISION Ensemble and the Rté National Symphony Orchestra will premeire Ann's work for bass clarinet, trumpet, trombone, and orchestra, to another of that other, as well as phosphors (.of either), for orchestra, on February 12th at the National Concert Hall in Dublin, Ireland. ELISION will perform a version of to another of that other for solo instruments following this performance. On the same day, Elision performs Ann's Paranoid Oneiroid at the Kevin Barry Room at the National Concert Hall. And two days later, February 14th, Ann will present a lecture on her recent works at University College Cork's Department of Music.
In addition to this exciting performance activity in Ireland, Ann will also see her composition on magnetic fields published by PSNY. This work divides a large ensemble into three chamber groups, which Cleare describes as "two different kinetic whirlwinds, and a box of light." Using the concept of the magnetic field to spatially arrange these miniature ensembles, this work explores a metaphor of "current" through its communication in melody, with a continuo solo violin channeling this piece's electric energy. Listen to a sample here:
Employing a similarly spatial metaphor to other works such as phosphors (.of either), On Magnetic Fields encounters the orchestra as segmented groups, each enacting a different characterization of the piece's overall structure, each seemingly containing its own compositional will. In both works, each "island" of instrumentalists combines to form an archipelago of intricacy, a sonic exploration of texture, timbre, and motion.