Mario Diaz de Leon: New Album, Residency at The Stone

by Ted Gordon on Aug. 9, 2015, 10:40 p.m.

Mario Diaz de Leon is a composer who explores the dark: dark emotion, dark affect, dark sounds. Equally at home in the world of instrumental composition as he is with metal, noise, and ambient drone music, Diaz de Leon truly embodies the spirit of the collaborative musician of today. In addition to composition, Diaz de Leon also performs under the alias Oneirogen, and has collaborated and performed with Nate Young of the legendary noise outfit Wolf Eyes. These collaborative and genre-crossing projects bring Diaz de Leon into a special category of "composer-performer" that knows no boundaries—neither aesthetic nor social. 

It's no surprise that Diaz de Leon would be connected to John Zorn, New York's Avant-Garde ringleader; his first album Enter Houses Of was released on Zorn's record label, Tzadik, and features performances from members of the International Contemporary Ensemble. Diaz de Leon has continued his close relationship with ICE to produce his latest album, The Soul is the Arena, recently released on Denovali Records. Check out the first track, Luciform, below. 

Writing in Pitchfork, Seth Colter Walls calls the album "the best introduction to his refined feel for instrumental extremity"; in Luciform, Claire Chase's relentless virtuosity rubs up against bass-heavy electronic textures. (Make sure to listen with headphones!). Along with Luciform, the title composition of this album, The Soul is the Arena, will be available for immediate download from PSNY. 

ICEstorm: Joshua Rubin - Mario Diaz de Leon: The Soul is the Arena from ICE on Vimeo.

If you're lucky enough to live in the New York area, Diaz de Leon will be performing the album in its entirety at The Stone on August 11th, along with ICE members Claire Chase, Joshua Rubin and Kivie Cahn-Lipman. This concert kicks of Diaz de Leon's residency at The Stone: a week of concerts that will include collaborations and performances with cellist/noise musician MV Carbon, the violin duo String Noise, Bloodmist, and more. Get there early—the first 50 audience members will receive a free copy of the CD.

Later in the week, on August 15th, the Mivos Quartet will perform Moonblood and Psalterion, two string quartets, and pianist Stephen Gosling will perform Cosmogony, a new work for piano and electronics. More information about the entire week of concerts can be found here.

Keep an eye out for The Soul is the Arena, as well as all five compositions from Enter Houses Of on PSNY soon! 

New Music Mondays: Morton Subotnick, Mario Diaz de Leon, & Scott Wollschleger

by Ted Gordon on Dec. 9, 2013, 12:03 p.m.

With snow piling up across America, it's a great opportunity to spend some time indoors practicing... new music! This week we're excited to feature three newly-pubilshed works: Morton Subotnick's "Trembling", Mario Diaz de Leon's "Luciform", and Scott Wollschleger's "America".

Morton Subotnick's "Trembling" is scored for violin, piano and "ghost score" technology, Subotnick's interactive electro-acoustic software which autonomously spatializes and reacts to acoustic phenomena. Taking a recording of Joan La Barbara speaking the word "trembling," Subotnick "recorded, synthesized, and transformed" this utterance and used it as the basis for his composition. Check out a sample of the recording below: 

Mario Diaz de Leon's "Luciform", for solo flute and electronics, also plays with the interaction between performer and software, but in a different way; the work is a "journey inward, a movement through a series of vision states. A difficult path, a rite of passage, hovering between diabolical intensity and lucid wakefulness." Recently recorded by Claire Chase for her fantastic album "Density," "Luciform" is a complex, intensely virtuosic work with a profound depth of both acoustic and electronic textures. 

Though Scott Wollschleger's "America", for solo cello, does not include electronics, it remains connected to Subotnick's and Diaz de Leon's works through its exploration of "timbre, virtuosity, and differential repetition." Not bound to pitch-space or harmonic structures, Wollschleger's work explores the timbral possibilities of the cello with extended technique with both instrumentation and sonic organization. 

A Note about Works and Covers

by Ted Gordon on Nov. 1, 2011, 3 p.m.

You might have noticed that the works on PSNY have several types of covers: some red, some yellow, and some with individual publishers' designs. Here's a quick breakdown:

Red covers, such as those for works by Gregory Spears, Timothy Andres, or Kate Soper, are for PSNY Composer Editions.

Yellow covers are for works by composers published exclusively by Schott Music, such as Tobias Picker, Alvin Singleton, and Robert Beaser. 

Other covers, such as those for works by Matthias Pintscher and Beat Furrer, are designed by those works' original publishers, for example Baerenreiter Verlag. 

But ultimately, these categories are secondary to the music itself. For many works on PSNY, you can hear audio samples or view videos of performances directly on those works' pages. For example, here's a video you can find on the page for Mario Diaz de Leon's "Trembling Time II":

 (via the wonderful Talea Ensemble, of course!)

For audio excerpts, many works have Soundcloud widgets, like this one for Tobias Picker's "String Quartet No. 2":  

Tobias Picker - String Quartet No. 2, mvt. I (Excerpt) by PSNY