Composers
- Katherine Balch
- Marcos Balter
- Robert Beaser
- Gavin Bryars
- Richard Carrick
- Christopher Cerrone
- Anthony Cheung
- Ann Cleare
- Douglas J. Cuomo
- Anthony Davis
- James Díaz
- Mario Diaz de Leon
- Joe Duddell
- John Duffy
- David Felder
- David Brynjar Franzson
- Beat Furrer
- Erin Gee
- Annie Gosfield
- Michael Hersch
- Lee Hoiby
- Katherine Hoover
- Kamran Ince
- Vijay Iyer
- Pierre Jalbert
- Daniel Kidane
- Phil Kline
- Adrian Knight
- Mary Kouyoumdjian
- Joan La Barbara
- Han Lash
- Fred Lerdahl
- Lei Liang
- Wang Lu
- Keeril Makan
- Steve Martland
- Alex Mincek
- Andrew Norman
- Stephen Paulus
- George Perle
- Tobias Picker
- Matthias Pintscher
- Bernard Rands
- Katharina Rosenberger
- Huang Ruo
- Joseph Schwantner
- Howard Shore
- Wayne Shorter
- Alvin Singleton
- Stanislaw Skrowaczewski
- Elijah Daniel Smith
- Kate Soper
- Gregory Spears
- Morton Subotnick
- Dobrinka Tabakova
- Karen Tanaka
- Ken Ueno
- Stewart Wallace
- Shelley Washington
- Kurt Weill
- Scott Wollschleger
- Katherine Young
- Ellen Taaffe Zwilich
Blog Archive
20232022202120202019- ▼September (1 posts)
- ▼July (3 posts)
- ▼June (2 posts)
- ▼May (2 posts)
- ▼March (1 posts)
- ▼February (1 posts)
- ▼January (2 posts)
- ▼December (2 posts)
- ▼November (2 posts)
- ▼October (2 posts)
- ▼September (2 posts)
- ▼June (1 posts)
- ▼May (2 posts)
- ▼April (2 posts)
- ▼March (2 posts)
- ▼January (1 posts)
- ▼December (2 posts)
- ▼November (2 posts)
- ▼October (3 posts)
- ▼September (2 posts)
- ▼July (1 posts)
- ▼June (3 posts)
- ▼May (4 posts)
- ▼April (4 posts)
- ▼March (5 posts)
- ▼February
(11 posts)
- Alvin Singleton's "Sweet Chariot" at the National Museum of African American History & Culture
- Joan La Barbara Performs "Music for Merce" in Minneapolis & Chicago
- Praise for Kate Soper's "Ipsa Dixit"
- Æolus Quartet Performs Keeril Makan's "Washed by Fire"
- Mario Diaz de Leon Premieres "Sacrament" with Talea Ensemble
- Ann Cleare's "eyam v (woven)" Premieres at RTÉ National Symphony Orchestra
- Music from Copand House: Pierre Jalbert, "Secret Alchemy"
- Kettle Corn New Music Presents Scott Wollschleger's "Brontal Symmetry"
- Third Coast Percussion Premieres Christopher Cerrone's "Goldbeater's Skin"
- Anthony Cheung in Residency at 113 Composers Collective
- Kate Soper's "Ipsa Dixit" Premieres at Dixon Place
- ▼January (4 posts)
- ▼December (4 posts)
- ▼November (6 posts)
- ▼October
(5 posts)
- Andrew Norman's "Play", Revised & Ready for Action at the LA Phil
- Ann Cleare's "eyam ii" Premiered by Argento Ensemble
- Contemporary Piano Video Library features Lei Liang's "Garden Eight"
- Ted Hearne's "The Source" in Los Angeles and San Francisco
- Ethan Iverson interviews Alvin Singleton on "Do The Math"
- ▼September
(6 posts)
- New Works by Kate Soper and Mario Diaz de Leon at the LA Phil
- Lerdahl and Carrick Performed by Sound Icon in Boston
- Yale Choral Artists Perform Hannah Lash's "Requiem"
- Ann Cleare's "Mire |...| Veins" at the Festival of New Trumpet Music
- Ted Hearne: Sounds from the Bench
- Erin Gee Featured at the Resonant Bodies Festival
- ▼August (1 posts)
- ▼July (6 posts)
- ▼June
(6 posts)
- Lei Liang: Deriving Worlds
- Pierre Jalbert's "Howl" Recorded by Pro Arte Quartet
- Gregory Spears' "Fellow Travelers" Premieres at Cincinnati Opera
- New Releases of Morton Subotnick's Works for "Ghost Electronics"
- Timo Andres' "Comfort Food" in New York
- Anthony Cheung's "Dystemporal" Now Available from Wergo
- ▼May
(8 posts)
- Hannah Lash at the New York Philharmonic Biennial
- Jennifer Koh's "Shared Madness"
- World Premiere of Mario Diaz de Leon's "O Ignis Spiritus" by the TAK Ensemble
- Hannah Lash's "Beowulf" Premiered by Guerilla Opera
- Josh Modney in the PSNY Greenroom
- Alex Mincek: "On The Outside, Looking Out"
- Awards Season for PSNY Composers
- Upcoming Performances of Wollschleger, Cerrone
- ▼April (4 posts)
- ▼March (6 posts)
- ▼February
(6 posts)
- Christopher Cerrone's "High Windows" on Q2 Music's "LPR Live" Podcast
- "In The Chamber" with Kamran Ince, Pierre Jalbert, and Christopher Cerrone
- Alex Mincek Portrait Concert at Miller Theatre
- Ted Hearne Premieres "Baby (an argument)" with Ensemble ACJW
- Kate Soper's OITOITOI Premiered by Ogni Suono Duo
- Marilyn Nonken Debuts Richard Carrick's "la touche sonore sous l'eau"
- ▼January
(7 posts)
- Kate Soper Profiled on NewMusicBox
- Timo Andres at the Phillips Collection
- Sleeping Giant at Carnegie Hall and Le Poisson Rouge
- Josh Modney Performs at Spectrum NYC
- Lei Liang Performed by the Mivos Quartet
- Gregory Oakes Performs Ken Ueno at the 2016 New Music Gathering
- PSNY Remembers John Duffy (1926-2015)
- ▼December (3 posts)
- ▼November
(7 posts)
- Ted Hearne's "Law of Mosaics" in Chicago; "The Source" CD Release
- "The Branch Will Not Break" at Present Music
- Two New Works by Timo Andres
- Soper, Lash, and Pintscher Performances on the East Coast
- Sound Icon Performs Ken Ueno's "Zetsu"
- Andrew Norman Premieres "Switch" at Utah Symphony
- PSNY Around America
- ▼October
(8 posts)
- New Works on PSNY: Wollschleger, Ueno and Cerrone
- New Works and Performances by Ann Cleare
- Hannah Lash Premieres Two Works with ACO and Ensemble Intercontemporain
- Keeril Makan's "Persona" Premieres at National Sawdust
- JACK Quartet and ACO Premiere New Alex Mincek Concerto
- Rufus Wainwright's "Prima Donna" on Deutsche Grammophon
- New Works by Timo Andres on PSNY
- Vijay Iyer Joins PSNY!
- ▼September (3 posts)
- ▼August (1 posts)
- ▼July (2 posts)
- ▼June (3 posts)
- ▼May (4 posts)
- ▼April (6 posts)
- ▼March (4 posts)
- ▼February (5 posts)
- ▼January (5 posts)
- ▼December (2 posts)
- ▼November (6 posts)
- ▼October (4 posts)
- ▼September (3 posts)
- ▼August (2 posts)
- ▼July (2 posts)
- ▼June (1 posts)
- ▼May (3 posts)
- ▼April
(7 posts)
- Opera News from PSNY Composers
- Introducing the PSNY Greenroom
- "Invisible Cities" named 2014 Pulitzer Prize Finalist!
- New Works from Evan Ziporyn, Lei Liang, René Leibowitz, Christopher Cerrone, and Hannah Lash
- The British Are Coming! To PSNY!
- A Keeril Makan Premiere, Conducted by Richard Carrick
- Tobias Picker on Tzadik Records
- ▼March (3 posts)
- ▼February (4 posts)
- ▼January (3 posts)
- ▼December (3 posts)
- ▼November (3 posts)
- ▼October (5 posts)
- ▼September (5 posts)
- ▼August (2 posts)
- ▼July (2 posts)
- ▼June (4 posts)
- ▼May (3 posts)
- ▼April (2 posts)
- ▼March (2 posts)
- ▼February (3 posts)
- ▼January (3 posts)
- ▼December (2 posts)
- ▼November (2 posts)
- ▼October (4 posts)
- ▼September (3 posts)
- ▼August (1 posts)
- ▼July (1 posts)
- ▼June (1 posts)
- ▼May (1 posts)
- ▼April (2 posts)
- ▼March (2 posts)
- ▼February (1 posts)
- ▼January (2 posts)
Newsletter
Posts tagged 'James Diaz'
James Díaz Releases UNO on Bandcamp
James Díaz has long worked within the interstices between scoring, live performance, and recording—exploring the sonic possibilities that emerge when the fluidity of sound is exploited in every available medium and dimension. His latest album, UNO, documents compositions that Díaz has crafted between 2016–2019, performed by the collaborators with whom he wrote many of these works, and recorded at the DiMenna Center for Classical Music. Keeping with Díaz's practice of using both recorded and live sound to construct his work, some of the compositions on this album were also further refined by Díaz in his studio, resulting in a meticulously produced album of hybrid works.
For example, Díaz crafted I [am] not, a work for bass clarinet and electronics, in collaboration with the clarinetist Tyler Neidermayer. While this work is completely scored, it does contain options for the performer to choose in the moment of performance; it also calls for the performer to experiment with a large set of extended techniques, which Díaz later expanded using studio techniques such as pitch-shifting, vocoding, harmonizing, compression, and other processes to achieve his desired sounds. The movements' titles hint at the play of instrumental identity; the bass clarinet is brought into relation with a didgeridoo, a snare drum, a guitar, and the human voice.
Other works on this recording include Díaz's string quartet INFRASTRUCTURES, composed in collaboration with and performed by Quartet121; a song for, performed by Julia Suh; and in times of passive voice [en tiempos de voz pasiva], here performed by cellist Carolina Diazgranados.