New Works and Performances by Ann Cleare

by Ted Gordon on Oct. 22, 2015, 10:44 a.m.

The music of Ann Cleare speaks to the heart of the problem with "new music": what counts as "new"? Really, truly new? And why must it be that way? Cleare's compositions rethink the possibilities created by instruments: both the sounds that they produce and their configuration within performing ensembles. And even more than this re-tooling, her works also organize these sounds in ways that create spatial, narrative, and timbral tension while keeping the sound-worlds of each composition unified and organic.

For example, take luna (the eye that opens the other eye). This composition for solo saxophone reimagines the instrument as "a dragonfly with eyes so big they cover almost its entire head, giving it a helmeted appearance and a full 360-degree field of vision." Or, take her mire |...| veins for brass quintet: 

Three works by Cleare, including the world premiere of eyam iii for bass flute (with Richard Craig, flute), will be featured in a dual portrait concert on October 25th at Spectrum, shared with composer Timothy McCormack. McCormack's amplified bassoon solo BODY MATTER will be performed by bassoonist Chris Watford, and William Lang performs works for trombone by both composers, alongside trios for trombone, trumpet and clarinet. 

In addition to these performances of her chamber works, Cleare's opera, rinn, recently premiered at Salzburg's Pocket Opera Festival. rinn takes the first two pages of Episode 11 from Joyce's Ulysses, and was performed alongside four other "pocket operas" that take inspiration from Joyce. Check out a clip below:

Hannah Lash Premieres Two Works with ACO and Ensemble Intercontemporain

by Ted Gordon on Oct. 20, 2015, 11:48 a.m.

In the next two months, two new works by PSNY composer Hannah Lash will be heard by audiences in New York and Washington, D.C. On October 23rd, Lash premieres her new Concerto for Harp and Chamber Orchestra with the American Composers Orchestra, as a part of their SONiC Festival, at Carnegie Hall's Zankel Hall. George Manahan conducts, with Lash herself as soloist. For the concerto, Lash was concerned with taking on "all the ramifications of our perception of this instrument's character," creating a work that is "mysterious and beautiful and at the same time fearful, aggresive, lonely."

To get a sense of what some call her "avant-garde post-romantic" style, check out this in-depth interview produced by Harvard Magazine: 

Some weeks later, Lash will see a second world-premiere of a brand-new work by Ensemble Intercontemporain, led by Matthias Pintscher. Commissioned by the McKim Fund in the Library of Congress, Lash's Two Movements for Violin and Piano premieres at the Library of Congress on November 13th. This new work will be heard alongside works by Berg, Varèse, Ligeti, and the U.S. Premiere of Now I & II from Profiles of Light by Matthias Pintscher.  

Keeril Makan's "Persona" Premieres at National Sawdust

by Ted Gordon on Oct. 15, 2015, 12:57 p.m.

Keeril Makan's ambitious opera project, Persona—based on the Ingmar Bergman film of the same name—will see its world premiere at National Sawdust, New York's newest venue for new music. Produced by Beth Morrison Projects, Persona is directed by Jay Scheib, and features musical direction by Evan Ziporyn conducting members of the Either/Or ensemble. 

Cited by Broadway World as "a provocative, highly cerebral, and artistically complex depiction of human frailty, cruelty and identity", Persona is described by Makan and Scheib as "at its core, a duet — but for one. A kind of monodrama with the briefest of interruptions, performed by a sole soprano who sings the role of Alma. Alma is a young nurse who has been assigned to care for actress, Elisabet Vogler, who in the middle of a performance, suddenly ceased to speak and remained sunken utterly in an apparently self-imposed silence.”

This world-premiere production will run for two nights, on October 23rd and 24th, 2015. Makan will also present a workshop performance of Persona on October 17th at MIT, where he is an Associate Professor of Music. After the October 23rd performance, National Sawdust will also present a concert of Makan's works performed by the AEOLUS Qartet, featuring The Noise Between Thoughts, Washed by Fire, and Return—all available from PSNY.