Composers
- Katherine Balch
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- Gavin Bryars
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- Christopher Cerrone
- Anthony Cheung
- Ann Cleare
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- Mario Diaz de Leon
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- David Felder
- David Brynjar Franzson
- Beat Furrer
- Erin Gee
- Annie Gosfield
- Michael Hersch
- Lee Hoiby
- Katherine Hoover
- Kamran Ince
- Vijay Iyer
- Pierre Jalbert
- Daniel Kidane
- Phil Kline
- Adrian Knight
- Mary Kouyoumdjian
- Joan La Barbara
- Han Lash
- Fred Lerdahl
- Lei Liang
- Wang Lu
- Keeril Makan
- Steve Martland
- Alex Mincek
- Andrew Norman
- Stephen Paulus
- George Perle
- Tobias Picker
- Matthias Pintscher
- Bernard Rands
- Katharina Rosenberger
- Huang Ruo
- Joseph Schwantner
- Howard Shore
- Wayne Shorter
- Alvin Singleton
- Stanislaw Skrowaczewski
- Elijah Daniel Smith
- Kate Soper
- Gregory Spears
- Morton Subotnick
- Dobrinka Tabakova
- Karen Tanaka
- Ken Ueno
- Stewart Wallace
- Shelley Washington
- Kurt Weill
- Scott Wollschleger
- Katherine Young
- Ellen Taaffe Zwilich
Blog Archive
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- Alvin Singleton's "Sweet Chariot" at the National Museum of African American History & Culture
- Joan La Barbara Performs "Music for Merce" in Minneapolis & Chicago
- Praise for Kate Soper's "Ipsa Dixit"
- Æolus Quartet Performs Keeril Makan's "Washed by Fire"
- Mario Diaz de Leon Premieres "Sacrament" with Talea Ensemble
- Ann Cleare's "eyam v (woven)" Premieres at RTÉ National Symphony Orchestra
- Music from Copand House: Pierre Jalbert, "Secret Alchemy"
- Kettle Corn New Music Presents Scott Wollschleger's "Brontal Symmetry"
- Third Coast Percussion Premieres Christopher Cerrone's "Goldbeater's Skin"
- Anthony Cheung in Residency at 113 Composers Collective
- Kate Soper's "Ipsa Dixit" Premieres at Dixon Place
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(5 posts)
- Andrew Norman's "Play", Revised & Ready for Action at the LA Phil
- Ann Cleare's "eyam ii" Premiered by Argento Ensemble
- Contemporary Piano Video Library features Lei Liang's "Garden Eight"
- Ted Hearne's "The Source" in Los Angeles and San Francisco
- Ethan Iverson interviews Alvin Singleton on "Do The Math"
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(6 posts)
- New Works by Kate Soper and Mario Diaz de Leon at the LA Phil
- Lerdahl and Carrick Performed by Sound Icon in Boston
- Yale Choral Artists Perform Hannah Lash's "Requiem"
- Ann Cleare's "Mire |...| Veins" at the Festival of New Trumpet Music
- Ted Hearne: Sounds from the Bench
- Erin Gee Featured at the Resonant Bodies Festival
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- Lei Liang: Deriving Worlds
- Pierre Jalbert's "Howl" Recorded by Pro Arte Quartet
- Gregory Spears' "Fellow Travelers" Premieres at Cincinnati Opera
- New Releases of Morton Subotnick's Works for "Ghost Electronics"
- Timo Andres' "Comfort Food" in New York
- Anthony Cheung's "Dystemporal" Now Available from Wergo
- ▼May
(8 posts)
- Hannah Lash at the New York Philharmonic Biennial
- Jennifer Koh's "Shared Madness"
- World Premiere of Mario Diaz de Leon's "O Ignis Spiritus" by the TAK Ensemble
- Hannah Lash's "Beowulf" Premiered by Guerilla Opera
- Josh Modney in the PSNY Greenroom
- Alex Mincek: "On The Outside, Looking Out"
- Awards Season for PSNY Composers
- Upcoming Performances of Wollschleger, Cerrone
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(6 posts)
- Christopher Cerrone's "High Windows" on Q2 Music's "LPR Live" Podcast
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- Alex Mincek Portrait Concert at Miller Theatre
- Ted Hearne Premieres "Baby (an argument)" with Ensemble ACJW
- Kate Soper's OITOITOI Premiered by Ogni Suono Duo
- Marilyn Nonken Debuts Richard Carrick's "la touche sonore sous l'eau"
- ▼January
(7 posts)
- Kate Soper Profiled on NewMusicBox
- Timo Andres at the Phillips Collection
- Sleeping Giant at Carnegie Hall and Le Poisson Rouge
- Josh Modney Performs at Spectrum NYC
- Lei Liang Performed by the Mivos Quartet
- Gregory Oakes Performs Ken Ueno at the 2016 New Music Gathering
- PSNY Remembers John Duffy (1926-2015)
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(7 posts)
- Ted Hearne's "Law of Mosaics" in Chicago; "The Source" CD Release
- "The Branch Will Not Break" at Present Music
- Two New Works by Timo Andres
- Soper, Lash, and Pintscher Performances on the East Coast
- Sound Icon Performs Ken Ueno's "Zetsu"
- Andrew Norman Premieres "Switch" at Utah Symphony
- PSNY Around America
- ▼October
(8 posts)
- New Works on PSNY: Wollschleger, Ueno and Cerrone
- New Works and Performances by Ann Cleare
- Hannah Lash Premieres Two Works with ACO and Ensemble Intercontemporain
- Keeril Makan's "Persona" Premieres at National Sawdust
- JACK Quartet and ACO Premiere New Alex Mincek Concerto
- Rufus Wainwright's "Prima Donna" on Deutsche Grammophon
- New Works by Timo Andres on PSNY
- Vijay Iyer Joins PSNY!
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- Opera News from PSNY Composers
- Introducing the PSNY Greenroom
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- New Works from Evan Ziporyn, Lei Liang, René Leibowitz, Christopher Cerrone, and Hannah Lash
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- A Keeril Makan Premiere, Conducted by Richard Carrick
- Tobias Picker on Tzadik Records
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Newsletter
Joan La Barbara Begins 70th Birthday Celebration at Roulette
Now in her 70th year, Joan La Barbara has continued her life's work of composition, collaboration, and performance, and shows no signs of slowing. 2017 has already seen La Barbara performing at ISSUE Project Room, music directing a new production of Robert Ashley's Dust, touring with the "Music for Merce" celebration in Minneapolis and Chicago, and overseeing performances of her piece A Murmuration for Chibok, commissioned by the Young People's Chorus of New York City and performed at the 30th annual Bang on a Can Marathon.
To continue this multi-faceted year, La Barbara will premiere her new song cycle, The Wanderlusting of Joseph C., performed by the composer herself alongside Ne(x)tworks at Roulette in Brookyln, NY. This new song cycle explores Joseph Cornell's concept of "wanderlusting"—which articulates both the desire to wander and the desire to lust—with text by Vietnamese-American writer Monique Truong.
Check out a recent interview with Red Bull Music Academy below.
Douglas J. Cuomo's "Arjuna's Dilemma" at the Dallas Opera
(photo: "Arjuna's Dilemma" at One World Theatre Nepal, 2016; © Eric Garrison)
Douglas J. Cuomo's Arjuna's Dilemma is a truly unique opera, which combines the tradition of operatic performance with North Indian singers and instrumentalists to recount a harrowing moment from the Bhagavad Gita, where the eponymous Arjuna must grapple with conscience and duty in a time of civil war, leading to his search of self-knowedge in a rapidly changing world.
Recorded on Innova in 2008 and recently performed in Nepal (the first opera ever to be performed in that country), Arjuna's Dilemma has just had its Texas premiere in a visually-enhanced concert performance with the Dallas Opera. The performance, led by Dallas Opera Principal Guest Conductor Nicole Paiement, starred Tony Boutté, Humayun Khan and a female vocal quartet of Katrina Galka, Audra Methvin, Alyssa Martin and Lindsay Ammann.
Cuomo has composed a Choral Suite from this opera, featuring seven movements from the opera scored for SATB chorus, solo violin, and piano, which is avalable on PSNY. Also available is the aria Four-Armed Form, for tenor and piano.
Sound American Releases Alex Mincek Portrait Album "Torrent"
On April 26th, Sound American releases a new album, Torrent, featuring the music of Alex Mincek—the composer's first solo album since 2011's self-titled release on Carrier Records. Torrent collects recordings of several new works for ensemble alongside extensive interviews and wrtitings on Mincek into a 28-page art-object, and is the first of Sound American's "Young Composer Portrait series".
Torrent includes recordings of several works performed by members of the Wet Ink Large Ensemble, Yarn/Wire, and the Mivos Quartet. These works were all composed in the past seven years, and include Pendulum VII, which is available from PSNY. Check out an excerpt below:
In a special issue devoted to the music of Alex Mincek, Sound American offers several interviews between Mincek, the Wet Ink ensemble, Nate Wooley, and Jeremiah Cymerman. On the works collected and recorded on Torrent, Eric Wubbels notes:
"Each piece is a balance between objects and ideas that have been thoroughly tested and developed in previous pieces and new, exploratory, or experimental ideas (sounds, objects, forms). In any given piece, if the new ideas work well, they might find their way into the next piece, and so on... As a result, I see a kind of slow evolution and refreshing of the musical language within a style that maintains a strong profile and internal consistency."
For more critical analysis of Mincek's recent work, check out George Grella's long-form article on Mincek in Music and Literature, which describes him as "on the outside, looking out."