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Katherine Young

Mycorrhiza I (with Olivia): Stolen Moments

for violin and electronics

(2021)
Duration12'
CommissionCommissioned by Olivia De Prato for her album "I, A.M. - Artist Mother Project: New Works for Violin and Electronics" (New World Records)
PublisherPSNY

Media

Program Note

The first in a series of pieces for solo performers, ensemble, electronics, dance, and video, Mycorrhiza I (with Olivia): Stolen Moments developed through close collaboration with violinist Olivia De Prato. Mycorrhizae are vast subterranean networks that act like “fungal bridges between the individual trees” (Robin Wall Kimmerer, Braiding Sweetgrass). “More than ninety percent of plants depend on mycorrhizal fungi - from the Greek words for fungus (mykes) and root (rhiza) - which can link trees in shared networks” (Merlin Sheldrake, Entangled Life). These networks form utilizing anarchic fungal architectural processes, known as mycelium, “the most common of fungal habits, better thought of not as a thing but as a process: an exploratory, irregular tendency” (Sheldrake). These biological processes of (inter)connection and collaboration (in all its multifarious complexities) inspire the creative practice behind Mycorrhiza, and make their way differently into each piece in the series.

De Prato initiated the collaboration that became Mycorrhiza I as part of her I, A.M. (Artist Mother) album project, inviting composers to reflect on their experiences of motherhood. De Prato and I met in fall 2019 to discuss the project, and we connected around the challenges of finding the mental space and actual time for art-making while parenting a young child (our kids are one month apart in age). Then, the pandemic hit, and families around the globe were thrown into new challenging routines. Developing this piece during the 2020 and 2021 pandemic lockdowns, I wanted our making process to be one that was good for us, not an added stressor. So, we each recorded ourselves during “stolen moments,” when we were doing “nothing”—at least nothing overtly productive or for anyone else. These recordings became the materials for the electronics, as well as sounds that De Prato improvised in relation to as we developed the violin music. Her improvisations shaped not only the sounds and motives, but the form of the music. For me, Mycorrhiza I bears the imprint of this particular moment in our society’s history, my child’s life, my artistic development, and my friendship with Olivia.

– Katherine Young

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