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Anthony Cheung

Après une lecture

for solo oboe

(2015)
Duration8'
CommissionCommissioned by Ernest Rombout
PremiereFebruary 16, 2015; impuls Festival, Graz, Austria; Ernest Rombout, oboe
PublisherPSNY

Media

Program Note

Although the titular allusion here is to Franz Liszt via Victor Hugo (the “Fantasia quasi Sonata” Après une lecture du Dante for piano), it is actually the speech-melodies of Leoš Janáček that serve as the basis for much of the material in the piece. Janáček’s sketchbooks were filled with notated transcriptions from everyday life, and he also regularly contributed articles in Brno newspapers illustrated with these notations. In a particular entry dated June 8, 1921, on hearing a Professor Torraca lecture on Dante, he transcribes words like “Beatrice,” “Dante Alighieri,” and “La Divina comedia.” These are seemingly extracted from various moments of increasingly heightened rhetoric during the lecture. There is a kind of crudeness, forgoing absolute accuracy for an overall affect and psychological state. I’ve used the general contours of these fragments as the connective tissue of my piece; they are motifs, alternately sighing, interjectional, demonstrative, etc. I freely apply Janáček’s transcriptions, taking liberties with the actual notes, and using them for my own musical ends, with added considerations of micro-intervals and pitch bending (which more closely approximate the contours of speech), highly differentiated speech-rhythms, and multiphonics for pleading, heightened pathos. In the score, the words are written for the performer to see and perhaps convey but the listener has no clue of any of this apart from the title.

– Anthony Cheung

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Voice and Piano Score (Print)

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solo part and piano reduction (Digital)

solo part and piano reduction (Print)

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Choral Scores (Digital - Bulk Purchase for Performance) (Digital)
This price covers the minimum cost of digital copies for performance.

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Pricing reflects cost of 5 digital scores.

Full Score/Performance Score (8 scores required for performance) (Print)

Full Score/Performance Score (5 copies required for performance) (Print)

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Score (Print)

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Full Score/Performance Score (price reflects 6 copies) (Digital)

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Free ToneBase Digital Download (Digital)

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Full Score/Performance Score (3 scores required for performance) (Digital)

Free download with code ToneBaseFree (Digital)

Full Score/Performance Score (price reflects 3 copies) (Digital)

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Includes 8 copies of the soprano/alto part and 8 copies of the tenor/bass part.

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Full Score/Performance Score (2 required for performance) (Print)

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Full Score/Performance Score (includes 3 copies) (Print)

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The full score serves as a performance score for all players. A score PDF file is delivered via email upon receipt. Any electronic files associated with the work are included with every purchase. An email containing a link to download the electronic files is sent to the customer's email address.

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A print edition of the score and part(s) ship to the customer's address upon receipt. Any electronic files associated with the work are included with every purchase. The email containing a link to download the electronic files is sent to the customer.

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Full Score/Performance Score (Print)
The full score serves as a performance score for all players. Print edition(s) of the full score/performance score are shipped to the customer's address upon receipt. Multiple copies are included if the work has more than one player. Any electronic files associated with the work are included with every purchase.

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A PDF file of the choral score is delivered via email upon receipt. The set is priced to allow multiple copies of the PDF to be printed for performance by the purchasing organization only.

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Mezzo-soprano, 2 tenors, baritone score (Print)

Study Score (Print)

Study Score (Digital)

SATB choral score (Digital)

Mezzo-soprano, 2 tenors, baritone score (Digital)