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Andrew Norman

Frank's House

for two pianists and two percussionists

(2015)

Duration	10'
Commission	Commissioned by the Los Angeles Chamber Orchestra for their Westside Connections Series
Premiere	February 5, 2015; Moss Theater, Santa Monica, CA; Members of the Los Angeles Chamber Orchestra – Jeffrey Kahane, piano • Joanne Pearce Martin, piano • Wade Culbreath, percussion • Ted Atkatz, percussion
Instrumentation	See preview page for full percussion instrumentation.
Publisher	PSNY

Media

Program Note

"The windows… I wanted to make them look like
they were crawling out of this thing. At night,
because this glass is tipped it mirrors the light in…
So when you’re sitting at this table you see all
these cars going by, you see the moon in the
wrong place… the moon is over there but it
reflects here… and you think it’s up there and you
don’t know where the hell you are…”
– Frank Gehry

This piece is built out of a system of cues and responses. Instruments trigger other instruments on and off, like windows opening and closing. The instrument doing the triggering often has rhythms notated in 4/4 at quarter = 120, but those rhythms need not be felt or known by the rest of the ensemble, who each play in their own time and wait to be turned on and off by aural cues. Put another way, what happens inside each "window" is totally uncoordinated (and often quite crazy), but the length of the window is precisely determined by the cueing instrument in the moment of performance (the 4/4 rhythms can be viewed as a kind of suggestion, a guide to keep things moving along, but in truth these windows could be quite variable in their lengths). The piece ends with a long, minimalist unfolding (rehearsal Z to JJ) in which the pianists and percussionists play independently. The players should pass through the climax in the general vicinity of one another (there's a lot of room for variance here), but apart from that no other coordination is needed. Do not attempt to recreate the vertical alignment of the score on these pages, as harmonies, lines, and events should intersect in a different way at every performance.

- Andrew Norman

Purchase

Types of Products

Piano Reduction and solo parts (Digital)

Full Score (3 scores needed for performance) (Digital)

Full Score (3 scores needed for performance) (Print)

Parts (Mov. 11 only) (Print)

Full Score (4 needed for performance) (Print)

Choral Score Set - 20 copies (Print)

Full score and Solo Part (Digital)

Full Score/Violin Part (Digital)

Full Score/Violin Part (Print)

Conductor Score (Print)

Score and part (Print)

Score and part (Digital)

Choral Score Set - 16 copies (Print)
Includes 8 copies of the soprano/alto part and 8 copies of the tenor/bass part.

Chamber Ensemble Score (Print)

Choral Booklet (Print)

Choral Booklet (Digital)

Full Score/Performance Score (includes 3 copies) (Print)

Full Score/Performance Score (includes 3 copies) (Digital)

Full Score/Performance Score (2 required for performance) (Print)

Full Score/Performance Score (2 required for performance) (Digital)

Piano reduction and solo part (Print)

Video and instructions (Digital)

Study Score in Two Volumes (Print)

Piano/Vocal Score (Print)

Piano/Vocal Score (Digital)

Score and Parts (Digital)
Score and part PDF files are delivered via email upon receipt. Any electronic files associated with the work are included with every purchase.

Full Score (Digital)
A PDF file of the full score is delivered via email upon receipt.

Soprano/Alto Part (Print)

Full Score (Print)
A print edition of the score ships to the customer's address upon receipt.

Tenor/Bass Part (Print)

Parts (Digital)
A PDF file of the part(s) is delivered via email upon receipt.

Parts (Print)
A print edition of the part(s) ship to the customer's address upon receipt.

Solo Instrument Score (Digital)
A score PDF file is delivered via email upon receipt. Any electronic files associated with the work are included with every purchase. An email containing a link to download the electronic files is sent to the customer's email address.

Full Score/Performance Score (Digital)
The full score serves as a performance score for all players. A score PDF file is delivered via email upon receipt. Any electronic files associated with the work are included with every purchase. An email containing a link to download the electronic files is sent to the customer's email address.

Score and Parts (Print)
A print edition of the score and part(s) ship to the customer's address upon receipt. Any electronic files associated with the work are included with every purchase. The email containing a link to download the electronic files is sent to the customer.

Solo Instrument Score (Print)
A print edition of the score is shipped to the customer's address upon receipt. Any electronic files associated with the work are included with every purchase. An email containing a link to download the electronic files is sent to the customer's email address.

Full Score/Performance Score (Print)
The full score serves as a performance score for all players. Print edition(s) of the full score/performance score are shipped to the customer's address upon receipt. Multiple copies are included if the work has more than one player. Any electronic files associated with the work are included with every purchase.

Choral Score (Digital)
A PDF file of the choral score is delivered via email upon receipt. The set is priced to allow multiple copies of the PDF to be printed for performance by the purchasing organization only.

Study Score (print) (Print)

Study Score (print) (Digital)

Choral Score Set- 8 copies (Print)
Minimum order quantity is 8 copies. Single copies are not available.

SATB choral score (Print)

Vocal Score (Digital)

Vocal Score (Print)

Choral Score (Print)

Full Score and Solo Part (Print)
A print edition of the score and solo part ships to the customer's address upon receipt.