Lei Liang

Inkscape
| Subtitle | for percussion quartet and piano |
|---|---|
| Technical requirements | See preview pages for full technical details. |
| Year(s) composed | 2014 |
| Publisher | Schott Music |
| Duration | 12' |
| Premiere | October 2, 2014; Boston Conservatory Theater, MA; Boston Conservatory Percussion Ensemble • Yukiko Takagi, piano; Samuel Solomon, conductor |
| Commission | Jointly commissioned by Boston Conservatory Percussion Ensemble (Music Director, Samuel Solomon), The Manhattan School of Music Percussion Ensemble (Music Director, Jeffrey Milarsky), and Third Coast Percussion |
| Composer note | In traditional Asian ink paintings, we often discuss two complimentary aspects: brush and ink. Piano, in this composition, serves as the “brush,” and the percussion quartet, the “ink.” Following earlier works such as Brush-Stroke, Aural Hypothesis, and Harp Concerto, Inkscape continues to explore the relationship between ink painting, calligraphy and music. – Lei Liang |
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