European American Music Distributors Company is a member of the Schott Music Group
Information Regarding COVID-19

Our New York City office remains closed to protect the health and safety of all of our employees. During this time, we are doing everything possible to minimize disruptions to our daily operations. All employees are working remotely and remain fully contactable. If you have had to cancel or postpone a performance of a work from our catalogue, or are considering live streaming performances or streaming archival material, we are prepared to assist you in facilitating changes. Please direct all questions or concerns to

Please note:

  • All materials from canceled or completed performances should be returned to our Verona, New Jersey library only.
  • Please do not return materials to our New York office. Unfortunately, we cannot be responsible for lost materials that are returned to our New York office while it is closed. If materials are lost, we will have to charge the full replacement value.

Pierre Jalbert – Violin Concerto

Violin Concerto (2017) | 26'
for violin and chamber orchestra
2(2.pic).2.2.2-, xylo, crot [2 octaves], 1 timp, b.d)-pno-str

Commissioned by the Los Angeles Chamber Orchestra for Margaret Batjer, Saint Paul Chamber Orchestra for Steven Copes, and the Milwaukee Symphony for Frank Almond
Premiered June 9, 2017 at Ordway Concert Hall in St. Paul, Minnesota with the Saint Paul Chamber Orchestra; Thomas Zehetmair, conductor • Steven Copes, violin

Click here to view the score

Composer note
My Violin Concerto is in two movements of contrasting character. The first movement, marked 'soulful and mysterious', begins with a slow introduction and eventually transitions into a scherzando section. The opening explores the violin’s lyrical and expressive qualities as it hovers above an ethereal strings and percussion texture. The middle section of the movement is a dynamic scherzo of sorts, almost becoming a separate movement in itself before the opening finally returns to conclude the movement.

The second movement, marked 'with great energy' moves freely back and forth between frenetic, pulse-oriented music and freely slow, non-pulsed music. These slower sections contain lyrical quarter-tone pitch-bending in the violin, and this serves as the primary motivic material in this section. Eventually, the fast music takes over and leads to a fiery cadenza.

This work was commissioned by a consortium of orchestras and their concertmasters as soloists; the Saint Paul Chamber Orchestra with Steven Copes, the Los Angeles Chamber Orchestra with Margaret Batjer, and the Milwaukee Symphony with Frank Almond.

- Pierre Jalbert

Click here to view a live performance with Steven Copes


     For more information
     on Pierre Jalbert, visit